L’Esprit Nouveau. The pavillion was named after Le Corbusier’s magazine, L’Esprit Nouveau, which he started in 1920 to spread the word about his own work and that of other artists of the time.Read More →
The use of masks and protective clothing to combat disease is an ancient practice. TheRead More →
The Milan Triennial X was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE)on 5 November 1953. Its theme was Prefabrication – Industrial Design. It was held at the Palazzo dell’Arte and ran from 28 August 1954 to 22 November 1954.Read More →
In 1949, Formes Utiles became an independent association of UAM (Union des Artistes Modernes) through the influence of René Herbst and Charlotte Perriand and its first exhibition held at Musée des Arts Décoratifs, Paris. Its theoretician was architect André Hermant.Read More →
The Festival of Britain (FOB) was seen both as a public morale booster and an opportunity to remind the world of Britain’s contribution to civilisation, history, and technological development in the past, present, and future. It took place on the South Bank of the River Thames. The Council of Industrial Design (COID) provided an essential stage for promoting well-designed British products in its national push for economic recovery in the post-Second World War era, especially on the main South Bank, London, more specifically in terms of design.Read More →
The exhibition is titled after Albers’ last series before his death, and consists of silkscreen prints rather than paintings. Those familiar with Albers’ work will take immediate notice of Albers’ colorful square compositions, as well as a few black and white geometric compositions. Read More →
The Daily Mail newspaper sponsored the Ideal Home Exhibition (from 1908). These shows provide an insight into popular taste and aspiration across all facets of domestic design and organisation in Britain.Read More →