Post-Impressionism (sometimes called Postimpressionism) was a significant French art trend that evolved between 1886 and 1905. Paul Cézanne, Paul Gauguin, Vincent van Gogh, and Georges Seurat led the movement. Post-Impressionism was a reaction to Impressionism’s naturalistic light and colour. Post-Impressionism covers the work of Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism.
The universal typeface, 1925, was a geometric alphabet based on bar and circle and was designed by Herbert Bayer (1900) to function efficiently in a technological society. Bayer rejected the “archaic and complicated gothic alphabet” which lingered in the most scientifically advanced society of its time, Germany of the first world war period and the postwar era.
The Worshipful Company of Goldsmiths, also known as the Goldsmiths’ Company, is one of London’s Great Twelve Livery Companies. It is correctly known as The Wardens and Commonalty of the Mystery of Goldsmiths of the City of London. The Company’s headquarters are located in the City of London’s Goldsmiths’ Hall.
The type in which this sentence is written is called “italic”. Aldus Manutius the man who invented it died almost 500 years ago and his type is still in use. Today publishing a manuscript is almost instantaneous, a new best seller can be placed on Amazon and I can buy a copy minutes later. To look at the books which came off the Venitian presses of Aldus Manutius is a strange experience.
The Catholic Counter-Reformation is closely related with Baroque, which peaked in Rome around 1630–1680. Despite its origins in Rome, the Baroque style influenced people all around Europe. Its rapid pace, striking realism (giving spectators the feeling that they were watching an actual event), and direct emotional appeal were perfectly suited to announcing the Catholic Church’s renewed vitality.
Little is known about the early life of France’s most distinguished type designer Claude Garamond, though he is mentioned as being “at work” in the printing business early in the sixteenth century, Garamond was commissioned by the French monarch, Francis I, to cut a font of Greek letter which later became known as the “Royal Greek Type.”
THE NEW DOMESTIC LANDSCAPE was one of The Museum of Modern Art’s most ambitious design shows. The exhibition, directed and built by Emilio Ambasz, Curator of Design in the Museum’s Department of Architecture and Design, focused on current design trends in Italy with 180 items for everyday use and 11 environments commissioned by the Museum.
In the early days of the Bolshevik revolution artists in their teens and early twenties passionately connected themselves to the collectivist goals of communism. Their motives certainly combined idealism with opportunism – a chance to ride the aesthetic revolution to fame on the political upheaval.
From standing desks to open office plans, our modern workspaces have deep historical roots.
The coronavirus pandemic has forced most people to create an office space of their own—whether by devoting a room in their homes for work, sitting socially distanced in common areas, or just creating a “Zoom worthy” corner in a bedroom.