Glass Factory

Over the past 150 years, glass factories have undergone significant changes in technology and production methods. From manual glassblowing to machine-blown glass, and now to automated processes, these factories have increased efficiency and output. They have played a vital role in supplying glassware for various industries, including food and beverages. With advancements like computer-controlled machinery and robotic automation, glass factories continue to innovate and produce a wide range of glass products. Sustainability and quality are now key priorities, and these factories are adopting eco-friendly practices while meeting the evolving demands of consumers and industries worldwide.

Kosta Boda Glassware

Kosta Boda, a renowned Swedish glassware company established in 1742, is known for high-quality, artistic glass products. Over time, various influential designers shifted its output from functional to fashionable and modernist designs.Read More →

Simon Gate featured image

Simon Gate (1883-1945) was a Swedish artisan and designer, known for his work with Orrefors Glass Factory. He was a key figure in Sweden’s modern glass industry, winning recognition at the 1925 Exposition des Arts Décoratifs et Industriels Modernes in Paris. Gate’s designs are featured in major museums.Read More →

Barbini Glassworks

Alfredo Barbini, a descendant of glassmakers from the early 15th century, studied at Abate Zanetti (design school at Murano glass museum) from age ten; in 1930, began studying at Cristalleria, Murano, becoming a maestro; became primo maestro at Martinuzzi and Zecchin; worked with Cenedese in the late 1940sRead More →

Burmese Glass featured image

Burmese glass (1885) was an almost opaque satin glass. Its shading was from salmon pink at the top to pale yellow below. It was attractive mostly when illuminated and was much used in fairy lamps and occasionally in chandeliers and candelabra.Read More →

Murano glassware was historically decorated with opulent rubies and gold and fanciful forms in vibrant colours. He hired freelance designers like Martinuzzi and Fulvio Bianconi regularly. Gio Ponti from 1927, Carlo Scarpa from 1932, Eugene Berman from 1951, Ken Scott from 1951, Franco Albini from 1954, and Massimo Vignelli from 1956 were the designers he commissioned.Read More →