Burmese glass (1885) was an almost opaque satin glass. Its shading was from salmon pink at the top to pale yellow below. It was attractive mostly when illuminated and was much used in fairy lamps and occasionally in chandeliers and candelabra. Some pieces have gilt or enamel decoration and many have frilled edges and foot-rims.
It was invented at the Mount Washington Glass Company, New Bedford, Massachusetts and some of them were sold to Queen Victoria. It was briefly popular in Britain when under license (1886) by Webb of Stouribdge (marked ‘Queen’s Burmese’). It was expensive to make, gold-producing the pink and uranium the yellow.
Payton, M., & Payton, G. (1979). The observer’s book of Glass. Frederick Warne & Co., Ltd.
More on Glassware
Stevens & Williams (Royal Brierly) English Glass Company
In 1776, Honeybourne, an English glass company, was founded in Stourbridge. In 1903, Carder established the Steuben Glass Works in Corning, New York. The Royal Brierley studio was run by John Northwood in the 1880s.
Clyne Farquharson (1906 – 1978) British glassware designer
In the 1930s, Farquharson was a major contributor to the design of British glassware. His documented career in glass began in 1935 with Arches, an engraved design on glass produced by John Walsh Walsh, where he produced other cut-crystal glassware as its head designer 1935—51.
Simon Gate (1883 – 1945) Swedish artisan and designer
Gate began his long affiliation with the Swedish glassmaking firm Orrefors in 1916. He worked as an artistic director and built the firm foundation for Sweden’sSweden’s substantial modern glass industry, alongside Edvard Hald, Vicke Lindstrand, Knut Bergqvist, and others.
Edvard Hald (1883-1980) Swedish Sculptor
Edward Hald (17 September 1883 – 4 July 1980) was a Swedish sculptor. His work was part of the art competitions at the 1932 Summer Olympics and the 1936 Summer Olympics.
Murrine ancient glass technique – design dictionary
When a glass cane is cut into thin cross-sections, coloured patterns or images created in the cane are revealed as murrine. One well-known design is the flower or star shape, which is known as millefiori when used in large quantities.
What is the difference between a wine decanter and carafe? 🍷
When you serve wine in a decanter or carafe rather than directly from the bottle, you can completely appreciate its full potential, but why? The wine can oxygenate and aerate, allowing the wine to breathe after being sealed in a bottle for so long. A wine decanter has a reputation for being a formal and refined means of serving wine. However, this isn’t always the case.
Quezal an American glassware company
Martin Bach and Thomas Johnson, Tiffany’s former glass mixer and foreman, started Quezel Art Glass and Decorating in Brooklyn in 1901. Many pieces of lustrous and ‘favrile’ glassware were manufactured by Bach and Johnson.
William Blenko (1854 – 1926) and Blenko Glassware
Blenko established the first American factory to produce sheet glass for stained glass windows. Blenko’s early successes include providing glass for St. Patrick’s Cathedral in New York City. The White House has a collection of Blenko table ware, used periodically. Wayne Husted pioneered the concept of “architectural scale” designs. Blenko’s “Historic Period” begins with Anderson in 1946 and includes work of Nickerson up to 1974.
Orrefors Glasbruk a Swedish glassware manufacturer.
Orrefors Glasbruk is a Swedish glassware manufacturer. An ironworks was established in 1726 on the property of Halleberg ( the Orrefors estate), Socken, Småland.
Masakichi Awashima (1914 – 1979) Japanese Glassware Designer
After studying design at the Japan Art School in Tokyo, Awashima worked for artisan Kozo Kagami, who had studied Western glass methods in Germany from 1935 to 1946.
Everything Old is New Again – Glass Making Techniques
Manufacturers and designers recreated some ancient Egyptian and Roman glassmaking processes in the early 20th century.
Pavel Hlava (1924 – 2003) Czech Glassware Designer
He was best known for his cut and engraved glass. Hlava enhanced a number of innovative technologies, both in terms of conception and manufacturing. These featured melted silver leaf and other materials, as well as skeleton moulds for shaping glass.
Hiroshi Yamano – Exquisite Japanese Glass Designs
Kiroshi Yamano is a Japanese Glass Designer. He studied at the Tokyo Glass Crafts Institute to 1984 and Rochester Institute of Technology, Rochester, New York, to 1989.
Aimo Okkolin (1917 – 1982) Finnish Glass Designer
He made deeply cut crystal objects that were often coloured. He used a lot of nature subjects. The most famous is “Lumpeenkukka”. This glass object, designed by Okkolin in 1960, was Riihimäki Lasi’s best-selling single object. Okkolini’s glassware was presented to several foreign heads of state. He continued working for Riihimäki Glass until 1976 when glassblowing by hand was stopped. After that, he worked as a freelance designer. He was granted a state artist’s pension in 1980.
Riihimaki Glass – Finnish Glass Factory
Riihimäki Glass was a Finnish glass factory. The factory, established in 1810 for the production of domestic glassware, began production of window glass in 1919. It purchased various small factories, including the factory in which the Finnish Glass Museum is located today. After buying the Kaukalahti glassworks in 1927, Riihimaki became the largest glass factory in Finland.
Amen Glasses – what are they?
‘Amen’ glasses gained their name from the Jacobite verses engraved on them, which invariably end with the word Amen.
Lino Tagliapietra (b.1934) Italian Glassworker and Teacher
From 1956, Tagliapietra taught glassmaking with Archimede Seguso and Nane Ferro; 1966—68, designed glass for Venini, Murano; until 1968, for Murrina; from 1968, taught glassmaking at Haystack School and Pilchuck School, Stanwood, Washington.
Arne Jon Jutrem (1929 – 2005) Norwegian Designer
Jutrem was educated at the Norwegian School of Crafts and Design 1946-1950, and at the same time received painting lessons from Carl von Hanno. Later studies with Fernand Léger in Paris 1952-53 and with Chrix Dahl 1954-55. He made his debut as a painter at the Autumn Exhibition in 1950.
Gunnel Gustafsson Nyman (1909 – 1948) Finnish glass and textile designer
Nyman worked for all the great Finnish glass manufacturers of the 20th century: Riihimaki from 1932—47, Nuutajarvi-Notsjo from 1946—48, and Karhula from 1935—37 (and at littala from 1946—47). She designed for both production and studio glass.
Barbini Glasswork Italian Glass Manufacturers
Alfredo Barbini, a descendant of glassmakers from the early 15th century, studied at Abate Zanetti (design school at Murano glass museum) from age ten; in 1930, began studying at Cristalleria, Murano, becoming a maestro; became primo maestro at Martinuzzi and Zecchin; worked with Cenedese in the late 1940s
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