He designed furniture and furnishings, lighting for clients including Fargas, Le Cose, Studio Grando, Stilnovo and Evoluzione. He became a member of ADI (Associazione per il Disegno Industriale).Read More →
The halogen bulb is the first new invention to completely transform the lighting industry since Thomas Alva Edison succeeded in creating the incandescent lamp by successfully making a loop of carbonized cotton thread glow in a vacuum for 40 hours.Read More →
Dino Gavina established the lighting firm Flos in 1962 to complement his furniture manufacturing at Gavina. In Merano, at first, it moved to the Brescia area. Maria Sinoncini and Cesare Cassina were directors, followed by Sergio Gandini. Read More →
He became active in 1961 as an architect and furniture and industrial designer; (with Renato Tosso) collaborated on furniture and lighting; had clients including Zanussi-Rex, Peguri, Stilwood, Arclinea, Cidue, FAI, Leucos, and Arflex.Read More →
Trained as an architect in London, he and a team of 120 transform centuries-old stone ruins into exquisite dwellings at Castello di Reschio, a 3,000-acre private community in Umbria, Italy, on land originally purchased by his parents.Read More →
Arteluce Italian Lighting Firm it was one of the modest businesses that contributed to Italian design’s international success in the 1950s. READ MORERead More →
Its early pieces were based on historicist models from the 19th century. In the 1930s, it made armchairs and dining room sets for Milan’s Rinascente and Mobilificio di Fogliano. After World War II, Cassina changed the way it made and sold its products. The new generation of designers pushed the company to the forefront of Modern design.Read More →
Foscarini has been manufacturing contemporary lighting from its headquarters in Venice since 1981. Their products add a stunning focal point and blend seamlessly with modern architecture. They earned a reputation as one of the most distinctive suppliers of lighting accessories worldwide thanks to their inventive, unconventional, and creative methods.Read More →
At the Universita di Firenze, he experimented with new forms of art and film. In 1973, he created the Cavart group alongside Piero Brombin, Pier Paola Bortolami, Boris Pastrovicchio, and Valerio Tridenti, which was active in Architettura Radicale, filmmaking, written works, and happenings. Read More →
he was artistic director of Cappellini International Interiors and in charge of corporate image and communications; from 1982, he was consultant designer for several firms on pavilions, shops, and exhibition stands.Read More →
He was active as an exhibition designer, designed 1978 ‘Peter Behrens und die AEG’ exhibition, Berlin; 1978 ‘Carrozzeria Italiana’ exhibition, Turin and Rome; 1981 ‘Identité Italienne,’ Centre Georges Pompidou, Paris; 1983 ‘Alexander Calder’ exhibition, Turin; 1984 ‘Italian Design,’ Stuttgart and Tokyo; 1984 ‘Venti Progetti per il futuro del Lingotto,’ Turin; 1986 ‘Futurismo e Futurismi,’ Venice. Industrial design clients included B&B Italia, Fiat, IBM, Molteni, Unifor, Missoni, and Marotto.Read More →
He and others founded a lighting company in 1942. In 1956, he founded the lighting firm Martinelli Luce in Lucca, designing plastics and metal and producing a perspex hanging lamp published in La Rivista dell’ Arredamento.Read More →
Vittorio Gregotti (1927- 2020) was an important Italian architect, designer, design historian, theorist and critic, Gregotti was the editor of several leading Italian design journals. He graduated in architecture from Milan Polytechnic in 1952. He spent his lifetime working in the field as a practitioner, academic, and writer.Read More →
Beginning his professional career in 1962, he worked for many major firms; designed lighting for O-Luce, furniture for Busnelli and Frau, refrigerators and gas stoves for Indesit, glassware for Venini, items for Skipper and Fratelli Guzzini, 1989 Atelier 75 range of four kitchen utensils, and 1987—88 Shuttle range of track lighting. Read More →
She worked as an interior and furniture designer in the studio of Marco Zanuso, Milan, 1952—63. In 1963, she set up her studio, specializing in civil and interior architecture and industrial design. She was associated with ADI (Associazione per il Disegno Industriale). In 1979, she formed Cini Boeri Associati, Milan. Read More →
Castiglioni’s approach to design is characterised by wit and humour, which is portrayed here by a shape that resembles an animal or bird. The Gibigiana is a table light that may be adjusted. It includes a dimmer and produces reflected light. Read More →
After a period of training at the Collettivo di Architettura in Milan and his first professional experiences between 1953 and 1955, he began his design career by making the cocktail shaker (1957, with Carlo Mazzeri) and the Serie 5 containers, which are still in production, for AlessiRead More →
Arper is the epitome of minimalist elegance and its products are perfectly suited to all kinds of commercial environments. With a growing range, we take a look at the latest offerings from the classic Italian house. Colour blocking made cool With classic arching armrests and a mix of materials that are perfectly colour matched, the Arcos brings an art deco edge.Read More →
Gaetana Aulenti (Gae, as she was known, is pronounced similarly to “guy”) was born in Palazzolo dello Stella (Friuli) and studied architecture at the Milan School of Architecture of the Polytechnic University, graduating in 1954 as one of two women in a class of 20.Read More →
He was born and active in Lissone. He founded Pallucco an awarding winning design firm.Read More →