Foscarini has been manufacturing contemporary lighting from its headquarters in Venice since 1981. Their products add a stunning focal point and blend seamlessly with modern architecture. They earned a reputation as one of the most distinctive suppliers of lighting accessories worldwide thanks to their inventive, unconventional, and creative methods.
At the Universita di Firenze, he experimented with new forms of art and film. In 1973, he created the Cavart group alongside Piero Brombin, Pier Paola Bortolami, Boris Pastrovicchio, and Valerio Tridenti, which was active in Architettura Radicale, filmmaking, written works, and happenings.
Its early pieces were based on historicist models from the 19th century. In the 1930s, it made armchairs and dining room sets for Milan’s Rinascente and Mobilificio di Fogliano. After World War II, Cassina changed the way it made and sold its products. The new generation of designers pushed the company to the forefront of Modern design.
He was active as an exhibition designer, designed 1978 ‘Peter Behrens und die AEG’ exhibition, Berlin; 1978 ‘Carrozzeria Italiana’ exhibition, Turin and Rome; 1981 ‘Identité Italienne,’ Centre Georges Pompidou, Paris; 1983 ‘Alexander Calder’ exhibition, Turin; 1984 ‘Italian Design,’ Stuttgart and Tokyo; 1984 ‘Venti Progetti per il futuro del Lingotto,’ Turin; 1986 ‘Futurismo e Futurismi,’ Venice. Industrial design clients included B&B Italia, Fiat, IBM, Molteni, Unifor, Missoni, and Marotto.
Vittorio Gregotti (1927- 2020) was an important Italian architect, designer, design historian, theorist and critic, Gregotti was the editor of several leading Italian design journals. He graduated in architecture from Milan Polytechnic in 1952. He spent his lifetime working in the field as a practitioner, academic, and writer.
Beginning his professional career in 1962, he worked for many major firms; designed lighting for O-Luce, furniture for Busnelli and Frau, refrigerators and gas stoves for Indesit, glassware for Venini, items for Skipper and Fratelli Guzzini, 1989 Atelier 75 range of four kitchen utensils, and 1987—88 Shuttle range of track lighting.
She worked as an interior and furniture designer in the studio of Marco Zanuso, Milan, 1952—63. In 1963, she set up her studio, specializing in civil and interior architecture and industrial design. She was associated with ADI (Associazione per il Disegno Industriale). In 1979, she formed Cini Boeri Associati, Milan.
Arper is the epitome of minimalist elegance and its products are perfectly suited to all kinds of commercial environments. With a growing range, we take a look at the latest offerings from the classic Italian house. Colour blocking made cool With classic arching armrests and a mix of materials that are perfectly colour matched, the Arcos brings an art deco edge.