She began teaching weaving at the Bauhaus in 1931. She worked at the Dresdener Deutsche Werkstatten in 1931, designing woven textiles, and was the head of the weaving department at the Berlin Modeschule from 1932 to 1936. She worked as the head designer for Gateshead, a British fabric manufacturer.
Laura Ashley was one of the first British designers to experiment with the concept of lifestyle marketing. Her romantic vision of nineteenth-century rural life, adapted to modern domestic realities, inspired a generation of middle-class Britons who returned to country life in the 1960s and 1970s.
Masakazu Kobayashi studied at the University of Arts, Kyoto, Japan. He manifested traditional textile techniques and aesthetics in his work. Between 1966 and 1975, he worked as a textile designer for Kawashima. His 1982 fabric evoked komon, a textile dyeing technique which uses paper patterns with small motifs.
Morton joined his family’s Morton Sundour Fabrics in 1931 and oversaw the company’s first screen-printed fabrics. He was the artistic director and principal designer of Edinburgh Weavers in Carlisle, which was established in 1928 as Morton Sundour’s creative design unit from 1932 to 1935. From the 1930s, he was a supporter of the Modern movement, commissioning works from well-known painters and artists.
He opened his workshop in New York in 1952 and received his first commission, from the architecture firm Skidmore, Owings and Merrill, for draperies for 1952 Lever House, New York. At this time, he began machine-weaving fabrics that had the appearance of handweaving; they were subsequently much imitated.
Angelo Testa (1921 – 1984) was an American fabric designer. He studied at the Institute of Design, Chicago, to 1945. As well as being a fabric designer, he was a painter and sculptor.
He designed the 1941 Little Man abstract floral fabric, widely published and hailed as a new direction in textile design. It all began, in fact, with a doodle. A free-form sketch with a dancing shape that intrigued its artist.
Marie Teinitzerová was born in a little town near Pelhimov called kov. However, she and her parents soon relocated to Jindichv Hradec. In Vienna and Brno, she studied painting. She attended the School of Applied Arts in Prague from 1905 to 1906, then a weaving school in Berlin in 1906. Her research tour took her to Denmark, Sweden, and France, where she attended tapestry workshops in Paris. She returned to Prague in 1908.