Angelo Testa (1921 – 1984) was an American fabric designer. He studied at the Institute of Design, Chicago, to 1945. As well as being a fabric designer, he was a painter and sculptor.
He designed the 1941 Little Man abstract floral fabric, widely published and hailed as a new direction in textile design. It all began, in fact, with a doodle. A free-form sketch with a dancing shape that intrigued its artist.
Charlotte Edey is a British printing, textile and embroidery artist & illustrator. Her interdisciplinary discovery of the intersections of identity and the spiritual reveals the symbolism and myth within her work. Womxn’s experience of colour is centred in her commentary on the politics of space.
Ronald Grierson was a British designer of textiles, carpets, and wallpaper. He studied at the Hammersmith School of Art and Grosvenor School of Modern Art. He designed the posters and interiors between 1927 and 1928. He learned to weave early in the 1930s. Jean Orage weaved some of his rugs
Emile-Jacques Ruhlmann | “Sarrazin” Textile | The Metropolitan Museum of Art Ruhlmann used the same basic motif—a stylized Cedar of Lebanon tree set within an irregular circle—on this textile and related wallpaper (MMA 2005.334), though on the textile each motif is offset by an added circle of dots. The pattern
Marianne Straub was a Swiss designer and weaver and designer she was born in Amriswil. But her career grew in Britain from the time she entered Bradford Technical College (in the middle of the Yorkshire wool industry) in 1932 to expand her knowledge of powerloom weaving. Straub’s mother vetoed Germany
Gertrud Preiswerk was a Swiss textile designer she was born in Basel. Between 1926 and 1930, she trained in-the weaving workshop, Bauhaus, Dessau, under Gunta Stolzl. In 1929, she took a summer course, Johanna Brunsons’s Weaving School, Stockholm. She studied the operation of silk power looms at Vereinigte Seiden Webereien.
Candace Wheeler was an American textile and wallpaper designer. She was born in Delhi, New York and professionally active in New York. Long before there was Martha Stewart, Candace Wheeler helped bring a woman’s touch to the male-dominated field of interior design in 19th century America by teaching wealthier women how to make their homes more comfortable.
Maya Romanoff was an American Textile Designer. He studied at the University of California at Berkeley. When he saw tie-dyed t-shirts at Woodstock Music Festival in 1969, Maya Romanoff discovered the magic of dying t-shirts. His profound fascination with colours and fabric led him to start the Skokie Corporation, a business
Ray Komai was a Japanese American; he was a graphic, industrial and interior designer. He studied in Los Angeles at the Art Center College.
He settled in New York in 1944, where he worked in advertising and set up a graphic design and advertising office (with Carter Winter). J.G. Furniture created Komai’s 1949 moulded plywood chair with a split seat and bent metal legs. They produced his other designs of chairs, tables and upholstered seating as well.