Work for Dunbar
He worked as a designer for Dunbar Furniture of Indiana in New York from 1931 to 1941, improving the company’s variety of wood and upholstered furniture to appeal to a wide range of interests. He established his own office in New York in 1945, continuing to work with Dunbar on furniture, Alexander Smith on carpets, and others on textiles. Scandinavian and Italian styles influenced his postwar work. The Listen to Me chaise for Dunbar in 1947 was one of his most well-known designs.
Good Design Exhibitions
Between 1950 and 1955, Wormley’s presence in the Good Design Exhibitions organised by the Museum of Modern Art and the Merchandise Mart catapulted him to a respectable position alongside more cutting-edge designers such as Bertoia, Nelson, and Eames. Wormley was well-versed in the fundamentals of Modernism, yet he never confined himself to a single worldview. His furniture embodied a synthesis of historical design and twentieth-century innovation that appealed to today’s collectors.
Wormley’s occasional tables for Dunbar include the tile-topped tables he designed for the Janus series in 1957, which were a collaboration between the Modern production design aesthetic and Tiffany and Otto Natzler’s tile traditions. Dunbar’s dining tables, stacking tables, and occasional tables have all been popular at auction. Still, none have achieved the same level of success as these examples.
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
Wikipedia contributors. (2019, June 17). Edward Wormley. In Wikipedia, The Free Encyclopedia. Retrieved 23:27, September 17, 2021, from https://en.wikipedia.org/w/index.php?title=Edward_Wormley&oldid=902187039
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