
Christopher Dresser (1834 – 1904) was a British botanist, metalworker, glass and industrial designer, born in Glasgow.
Dresser was a one-of-a-kind designer in the nineteenth century. He is regarded as a forerunner of modern industrial design, creating simple, practical things for mass production when colleagues like William Morris and John Ruskin advocated a return to craft production based on the mediaeval guild model.
Education & Training
Dresser, a trained botanist, studied at the South Kensington School of Design. He became a Star student and later taught. His design logic was formed from his study of nature, resulting in a geometric pattern and form language applied to industrial design. He developed a geometric, reduced visual grammar applied to shockingly modern and functional silverware such as teapots, bread racks, and soup tureens, inspired by Moorish designs and Japanese art. Dresser’s ideas were published in several significant design books in the UK and overseas.
Paved the way for Bauhaus
Although most of Dresser’s work was traditional by nineteenth-century standards, some of his metalware had stunningly innovative shapes almost thirty years before the Bauhaus. His works are essential archetypes in the history of twentieth-century Modernism. His work merged cutting-edge materials science, such as metal electroplating, with advanced manufacturing techniques. In Victorian England, his simple designs had no contemporaneous equivalents; many of his severe forms would not be equalled until the 1920s.
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Source
McDermott, C. (1997). 20th-century design. Carlton.
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