Fairyland Lustre: A Whimsical Heritage from Wedgwood

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

Vase with a ghostly wood motif in the Fairyland LustreStyle
Vase with a ghostly wood motif in the Fairyland Lustre Style Museum of Fine Arts in St Petersburg

Fairyland Lustre, a mesmerising range of decorative pottery created by Wedgwood and envisioned by Daisy Makeig-Jones, represents a unique chapter in the history of decorative arts. This blog post delves into the enchanting world of Fairyland Lustre, exploring its origins, artistic nuances, and impact on ceramics during the early 20th century.

The Enchantment Begins: Daisy Makeig-Jones and Wedgwood

In 1909, Daisy Makeig-Jones began her journey with Wedgwood as a painter. By 1915, her creative vision culminated in the birth of Fairyland Lustre. This line was characterised by its vivid use of colours, metallic finishes, and fantastical imagery. Initially, the series featured patterns of dragons and hummingbirds. Later, it evolved into vibrant landscapes with fairies, elves, and mythical creatures. These pieces served as a creative escape during the tumultuous times of World War I.

Artistic Features of Fairyland Lustre

Fairyland Lustre is notable for its intricate use of enamels and gilding, set against a backdrop of fairy tales and mythical narratives. The artwork often featured complex scenes with characters such as dragons, pixies, ghosts, and goblins. These were set on conventional Wedgwood forms. The iridescent colour quality brought these illustrations to life, making each piece a dynamic visual spectacle.

Fairyland Lustre Punch Bowl 1920 signed MJ for Makeig-Jones
Fairyland Lustre Punch Bowl 1920 signed MJ for Makeig-Jones AAADA

Cultural Impact and Legacy

The introduction of Fairyland Lustre marked a significant moment for Wedgwood. It elevated the brand in the realms of fine decorative porcelain. The line gained immense popularity, especially among European and American audiences. Consumers sought a luxurious product during a period of economic prosperity. However, the decline of the American market in 1929, coupled with the high production costs, led to the discontinuation of Fairyland Lustre. Despite its relatively short lifespan, the legacy of Daisy Makeig-Jones and her Fairyland Lustre continues to enchant collectors and art enthusiasts.

Decline and Resurgence of Interest

The cessation of Fairyland Lustre production coincided with broader economic downturns and shifts towards modernist aesthetics in art and design. Yet, the allure of Makeig-Jones’s work did not fade entirely. Today, these pieces are celebrated for their artistic merit and historical significance. They capture the imagination of those who appreciate the blend of craftsmanship and fantasy.

Conclusion: The Everlasting Charm of Fairyland Lustre

Fairyland Lustre remains a testament to Wedgwood and Daisy Makeig-Jones’s creativity and innovation. Its whimsical designs and vibrant colours continue to captivate, reminding us of the transformative power of art in everyday objects. As we reflect on the impact of this distinctive artistry, we invite readers to rediscover and appreciate this magical chapter in the history of decorative arts.

Key Takeaways

  • Fairyland Lustre is a decorative pottery line by Wedgwood, created by Daisy Makeig-Jones in 1915, known for its vibrant colours and fantastical themes.
  • The series features intricate designs with dragons, fairies, and mythical creatures, showcasing complex scenes on traditional Wedgwood forms.
  • It gained popularity during the early 20th century but was discontinued due to high production costs and market declines.
  • Despite its short lifespan, Fairyland Lustre remains highly valued among collectors and art enthusiasts today.
  • The charm and artistic significance of Fairyland Lustre continue to captivate and inspire appreciation for unique decorative arts.

Sources

Savage, G., Newman, H. (1985). An Illustrated Dictionary of Ceramics: Defining 3,054 Terms Relating to Wares, Materials, Processes, Styles, Patterns, and Shapes from Antiquity to the Present Day. United Kingdom: Thames and Hudson.

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