Martin Eisler and the Mid-Century Design Movement

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

“Reversível” armchair, circa 1956 designed by Martin Eisler
“Reversível” armchair, circa 1956, designed by Martin Eisler Artsy

Martin Eisler, a towering figure in the mid-century modern design movement, represents a unique synthesis of European tradition and Latin American innovation. Born in the artistic hotbed of Vienna in 1913, Eisler’s journey from the cultured halls of Europe to the vibrant landscapes of Brazil and Argentina embodies a story of resilience, creativity, and design excellence that continues to resonate in contemporary design circles. This blog post explores Eisler’s life, furniture design contributions, and enduring influence on the applied and decorative arts.

European Beginnings and Escape to New Horizons

Early Influences and Architectural Foundations

Martin Eisler was not just born into any family but one steeped in art and intellectualism. His father, Max Eisler, was a significant art historian and a member of the Österreichischer Werkbund, profoundly influencing Martin’s early exposure to modernist ideas. Under the tutelage of architects like Oskar Strnad and Clemens Holzmeister at Vienna’s School of Arts and Crafts, Eisler’s foundational years were rich with avant-garde thought and architectural rigour.

Flight to Freedom

The annexation of Austria by Nazi Germany in 1938 forced Eisler to flee to Argentina—a move that marked the beginning of a significant phase in his career. Arriving in Buenos Aires with little to his name, Eisler quickly integrated into the local design scene, exhibiting his first furniture pieces at the Mueller Gallery, setting the stage for his future success.

Establishing a Design Identity in South America

Interieur and Forma: Foundations of Furniture Design

In 1945, Eisler founded Interieur alongside Arnold Hackel, a venture that began his foray into furniture design. His collaboration with Carlo Hauner in 1955 to establish Forma in Brazil further cemented his reputation. Forma became a conduit for Eisler’s innovative use of materials like Brazilian tropical woods and modern wood, glass, and bronze painting techniques.

Collaborations and International Recognition

Eisler’s partnership with notable figures such as Oscar Niemeyer during the building boom in Brasília exemplifies his integration into significant architectural and design projects. His work with Knoll International expanded his influence, bringing his designs into international markets and earning accolades like the Compasso d’Oro for his Reversível and Costela chairs.

Legacy and Revival

Enduring Influence and Contemporary Relevance

Martin Eisler’s death in 1977 marked the end of an era, but his legacy endures through his designs’ continued manufacture and appreciation. Companies like Tacchini have reissued his classic pieces, affirming their timeless appeal and ongoing relevance in design.

A Beacon of Mid-Century Modern Design

Martin Eisler’s journey through tumultuous times to a legacy of design innovation serves as an inspiring narrative in the history of decorative arts. His ability to blend architectural precision with creative furniture design has left an indelible mark on the design world, making his work a continual source of inspiration for designers and enthusiasts alike.

Sources

Google Books. (n.d.). Mid-Century Modern – Visionary Furniture Design from Vienna. Retrieved from https://www.google.com.au/books/edition/Mid_Century_Modern_Visionary_Furniture_D/Cw5QEAAAQBAJ

Tacchini. (n.d.). Martin Eisler. Retrieved from https://www.tacchini.it/en/designers/martin-eisler/

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