Peace was first published as Lukova’s visual commentary on the Op-Ed page of The New York Times, and later the artist reinterpreted it as a serigraph poster. Arguably one of Lukova’s most well known and most copied images, Peace asks a question: do we protect peace by creating endless wars?
Standing over four feet tall, this towering console of satin chrome and mirrored cobalt glass is a commanding example of the styling of items to meet the Machine Age ideal of the 1930s. The Nocturne radio, built by Walter Dorwin Teague, one of the premier industrial designers of the 1930s, is one of the most striking manifestations of the merger of art and technology.
The 1959 Cadillac is more of a temple than an automobile, a Gothic memorial to America’s glory years. It was overly long, low, and overstyled, and it’s the 50s’ final flourish. The 59’s outlandish space-age appearance, weird fins, and lavish 390 cubic inch V8 are fascinating, but the most striking aspect of the car is its blatant arrogance.
The Alpine Eagle collection of sporty-chic timepieces stretches its wings, embracing a flyback chronograph in a new 44 mm diameter case for the first time. The Alpine Eagle XL Chrono clock with the integrated bracelet is inspired by the might of the eagle and the beauty of the Alps, as is the complete series.
Poul Kjaerholm’s Pk22 lounge chair is a classic in the design world, made of spring steel legs, crossbars, and side frames attached with machine screws and covered in canvas, leather, or cane. Poul Kjaerholm was a Danish designer known for his PK22 chair, which was awarded the Grand Prize at the Milan Triennale in 1957 and 1960.
Swatch has revolutionised the watch industry over the previous four decades. The Swatch became the fashion item of the 1980s thanks to its combination of Swiss technology, design, and low price. It is the first watch that has become a classic look, with a black plastic band and a basic watch face.
Tschichold created new standards of text arrangement and style that inspired all of the British postwar graphic design, although only working for the publication for three years. Then, with the formulation of the “Penguin Composition Rules,” he was able to apply Modernist theory to the requirements of book manufacturing.
Bentwood furniture was not invented by Michael Thonet (1798-1871), but he perfected a method for mass production. In 1819, in Boppard, Germany, he opened his cabinetmaking business, and by 1840 he had invented the steam-softening technique for bending rods of hardwood into flowing yet structurally solid shapes. There are just six sections and screws in his all-time classic, Model No.14.
The Studio Alchimia in Milan was founded in 1976 and exhibited its first collection in 1979. Alessandro Mendini’s Proust armchair is one of the most unusual pieces from the Bau.Haus collection. It was made in a small number and individually painted to express the collective’s unease with mass production.
Netsuke: A little Japanese sculptured item of ivory, wood, or porcelain that ranges in height and width from one-half to three inches. Mythological images, flowers, animals, gods, and goddesses are among the carvings. Netsuke pieces were initially employed as toggles in the fourteenth century. A cord was slipped under and over the obi and through a hole in the netsuke.