La Rinascente, the Milan department store was established after the First World War and has done a great deal to promote Italian design standards. Its name, La Rinascente (Rebirth), was conceived by the Italian poet Gabriele D’Annunzio, a specific resonance in the 1930s when the company also did much to promote the domestic consumption of Italian products under Mussolini in the drive towards national self-sufficiency (autarchy).
1954, LDV Polytechnic, Alessandria, United Arab Emirates, diploma in architecture. 1968 – Master of Science, University of Tennessee. Doctor es Lettres, Paris, LaSorbonne, 1974. Ecole des Hautes Etudes, Paris, 1973–1974. Postgraduate architectural restoration, Ecole des Hautes Etudes, Paris, 1973–1974.
Carlo Guiliano was an Italian jeweller and goldsmith who was born in Naples and worked in London. In 1860, Guiliano settled in London and worked for Harry Emanuel. He collaborated with Castellani Italian Jewellers on at least one piece of jewellery. In the archaeological or Etruscan style, he was a talented jeweller. He developed his distinctive style, which was copied a lot in the 1880s and 1890s. The Italian-born Pasquale Novissimo, Guiliano’s assistant, created such delicate enamel decoration on Guillano ‘s pieces that they were difficult to copy.
At the Universita di Firenze, he experimented with new forms of art and film. In 1973, he created the Cavart group alongside Piero Brombin, Pier Paola Bortolami, Boris Pastrovicchio, and Valerio Tridenti, which was active in Architettura Radicale, filmmaking, written works, and happenings.
The type in which this sentence is written is called “italic”. Aldus Manutius the man who invented it died almost 500 years ago and his type is still in use. Today publishing a manuscript is almost instantaneous, a new best seller can be placed on Amazon and I can buy a copy minutes later. To look at the books which came off the Venitian presses of Aldus Manutius is a strange experience.