Agitprop art (or the art of agitation) was used to manipulate ideological beliefs, specifically to spread the ideals of Communism in Russia in the period immediately following the 1917 revolution. The term ‘agitprop’ (an abbreviation for agitation propaganda: ‘agitational propaganda’) was first used shortly after the Revolution, and the Communist Party established the Department of Agitation and Propaganda in 1920.
In 1907, Adamovich travelled to Italy to study decorative painting after graduating from Moscow’s Strogonov School of Art and Industrial Design. In 1909, he returned to Russia to paint murals in both St Petersburg and Moscow. He worked in the art department of the State Porcelain Factory after the First World War (known as the Imperial Porcelain Factory before the Russian Revolution and, after 1925, the Lomonosov State Porcelain Factory).
The Bolsheviks grabbed control of the printing presses in order to gain support for their ideology. Despite a lack of resources and equipment, they produced newspapers, leaflets, and posters in a timely manner. The profusion of colourful propaganda posters altered towns and cities, resulting in a sort of street art that was accessible to everyone.
Nikolai Mikhailovich Suetin (1897-1954) was a Russian artist, ceramicist, and designer. He was born in Metlevsk Station Kaluga. He was the husband of Anna Leporskaia. Between 1918-22, he studied Vitebsk Art School. He became a member of Kazimir Malevich’s Posnovis/Unovis group in 1919, and, with Il’ia Chashnik, was one of Malevich’s closest collaborators.