Naum Gabo: A Titan of Constructivist Art

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Naum Gabo (1890–1977), a Russian sculptor known for his pioneering work in constructivist art, left an indelible mark on modern art. His journey from studying at Munich University to teaching at Harvard University’s Graduate School of Architecture embodies a life devoted to artistic innovation.

Early Life and Studies

Born in Briansk, Russia, Gabo was raised in a family that cherished art. His brother, Antoine Pevsner, also became a well-known artist. Gabo’s artistic journey began at Munich University, where he studied art and honed his skills.

A Sculptor in Scandinavia

In 1914, Gabo moved to Scandinavia, where he transitioned into the role of a sculptor. It was during this time that his unique approach to art started to take shape, laying the groundwork for his future contributions to the world of constructivist art.

Return to Russia and the Realistic Manifesto

In 1917, Gabo returned to his home country and, in collaboration with his brother Antoine Pevsner, published the Realistic Manifesto in 1920. This was a defining moment in his career and a significant contribution to the philosophy and development of constructivist art.

Berlin, Britain, and the International Survey of Constructivist Art

From 1922 to 1932, Gabo resided in Berlin. In the mid-1930s, he relocated to Britain, where he continued to issue important statements on constructivist art. Alongside J.L. Martin and Ben Nicholson, he edited ‘Circle,’ the international survey of constructivist art, further establishing his reputation as a thought leader.

The Final Chapter: The USA and Harvard

In 1946, Gabo made a permanent move to the United States. There, he continued his work and shared his vast knowledge as a professor at the Graduate School of Architecture at Harvard University from 1953 to 1955.

Naum Gabo’s life and work exemplify the relentless pursuit of artistic innovation and the power of art to shape and reflect societal structures. His contributions to constructivist art continue to resonate and inspire artists and scholars alike.

Sources

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

Gabo, N., & Nicholson, B. (1937). Circle: International survey of constructive art. London: Faber and Faber.

Hammer, S., & Lodder, C. (2000). Constructing modernity: The art and career of Naum Gabo. New Haven: Yale University Press.

Nash, S. A. (1985). Naum Gabo: Sixty years of constructivism. Dallas: Dallas Museum of Art.

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