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International Symposium "Art Sciences on the Border of Science and Art: GAKhN and Aesthetic Experience of the 1920s"
International Symposium “Art Sciences on the Border of Science and Art: GAKhN and Aesthetic Experience of the 1920s”

The State Academy of Artistic Sciences (GAkhN) stands as an iconic symbol of Russia’s intellectual and artistic history. From 1921 to 1934, GAkhN was a testament to the country’s commitment to fostering artistic culture and innovation.

The Genesis of GAkhN

GAkhN was a successor to the Museums of Artistic Culture, based in Moscow and Petrograd/Leningrad. The Museums of Artistic Culture represented significant artistic culture hubs, housing a rich collection of artworks and serving as a centre for artistic discourse. The formation of GAkhN marked the continuation of this rich artistic tradition, focusing on fostering academic research in the arts.

The Mission and Work of GAkhN

As an institution, GAkhN was dedicated to the study and promotion of the artistic sciences. This included exploring and understanding the theory and history of art, literature, and music, emphasising their roles in shaping society and culture.

During its 13 years of operation, GAkhN played a pivotal role in shaping the direction of Russian art and culture. It was a haven for the free exchange of ideas and innovative thinking, fostering a community of artists and intellectuals dedicated to pushing the boundaries of their respective fields.

The Legacy of GAkhN

While GAkhN was active for a relatively short period, its impact on Russian artistic culture was significant. The institution not only served as an academic hub for the arts, but it also helped to shape public understanding and appreciation of the arts. The work done at GAkhN continues to influence Russian artistic culture and its representation in global art history.

Conclusion

The State Academy of Artistic Sciences (GAkhN) stands as a crucial chapter in Russia’s artistic and cultural history. Its commitment to exploring the role of the arts in society, its cultivation of innovative thinking, and its impact on the Russian artistic scene continue to be felt even today.

Sources

Bowlt, J. E. (1994). The Russian Idea. In The Russian Avant-Garde Book 1910–1934 (pp.13–21). The Museum of Modern Art.

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

Gray, C. (2018). Productive arts. In The Russian Revolution: Hope, Tragedy, Myths (pp.179–196). British Library.

Tupitsyn, M. (1999). The Soviet Photograph 1924–1937. Yale University Art Gallery Bulletin. 101–118.

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