She studied under A. Radakov at the Pskov School of Decorative Arts in 1918. From 1922, she studied under K. Petrov-Vodkin, A. Savivov, and V. Sinaiskii at the Petrograd Academy of Arts.Read More →
El Lissitzky (1890 – 1941) Russian artist and architect, he was linked with MODERNIST organisations, including Suprematism and DE STIJL.Read More →
A facsimile edition of Kazimir Malevich, SUPREMATISM 34 Drawings, was published in 1990 by Artists Bookworks, accompanied by an introduction to the drawings by Patricia Railing;Read More →
Naum Gabo, a Russian sculptor, was a pioneer in constructivist art, studying at Munich University and teaching at Harvard University’s Graduate School of Architecture. His life and work exemplify artistic innovation and the power of art to shape societal structures.Read More →
The GAkhN, active from 1921 to 1934, was a crucial chapter in Russia’s intellectual and artistic history, fostering artistic culture and innovation. It served as an academic hub, fostering innovative thinking, and shaping public understanding of the arts.Read More →
The Bolsheviks grabbed control of the printing presses in order to gain support for their ideology. Despite a lack of resources and equipment, they produced newspapers, leaflets, and posters in a timely manner. The profusion of colourful propaganda posters altered towns and cities, resulting in a sort of street art that was accessible to everyone. Read More →
Gustav Klutsis was a Latvian artist and graphic, poster and applied arts designer who was a devoted supporter of the Boshevik regime and a member of the communist party. He was the pioneer of photomontage in the Soviet Union and an acclaimed graphic designer and painter. Influences included Suprematism and Constructivism.
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Agitprop art (or the art of agitation) was used to manipulate ideological beliefs, specifically to spread the ideals of Communism in Russia in the period immediately following the 1917 revolution. The term ‘agitprop’ (an abbreviation for agitation propaganda: ‘agitational propaganda’) was first used shortly after the Revolution, and the Communist Party established the Department of Agitation and Propaganda in 1920.Read More →
Oskar Petrovich Gryun (1874 – 1931) was a Russian Textile Designer. Education He studied at the Central Art Institute ofRead More →
Vasyl Dmitrievich Yermylov (Yermilov) (1894–1968) was a Ukrainian and Soviet painter, avant-garde artist and designer. His genres included cubism, constructivism, and neo-primitivism.Read More →
In 1907, Adamovich travelled to Italy to study decorative painting after graduating from Moscow’s Strogonov School of Art and Industrial Design. In 1909, he returned to Russia to paint murals in both St Petersburg and Moscow. He worked in the art department of the State Porcelain Factory after the First World War (known as the Imperial Porcelain Factory before the Russian Revolution and, after 1925, the Lomonosov State Porcelain Factory).Read More →
In the early days of the Bolshevik revolution artists in their teens and early twenties passionately connected themselves to the collectivist goals of communism. Their motives certainly combined idealism with opportunism – a chance to ride the aesthetic revolution to fame on the political upheaval.Read More →
He was a proponent of the Russian constructivist art movement. The term ” constructivism” came about because the artists claimed they riveted the images together as engineers, not artists. In the early years of the Russian
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Sergei Vasil’evich Chekhonin (1878 – 1936) was a Russian graphic artist and ceramicist. He was professionally active in St. Petersburg and Paris.Read More →
The Imperial Porcelain Factory is a manufacturer of hand-painted ceramics in Saint Petersburg, Russia, also known as the Imperial Porcelain Manufacturer (IPM). It was founded by Dmitry Ivanovich Vinogradov in 1744 and has been sponsored by the Russian tsars since Empress Elizabeth. Many still refer to the factory, the Lomonosov Porcelain Factory, by its well-known former name.Read More →
Abramtsevo Art Colony was located about 40 miles from Moscow, this colony of Russian artists was involved in reviving Russian folk art and national culture for much of its history. It was at its most dynamic in the later 19th century.Read More →