This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.
The best design stores in the world are more than retail destinations. They are carefully curated expressions of design philosophy, industrial craft, material culture and modern living. From Italian tableware to Swiss furniture systems and experimental plastic design, these brands show how the applied and decorative arts enter daily life through objects we use, collect and admire.
This selection focuses on six design-led companies whose official stores and catalogues function almost like living design archives. Each brand represents a distinct approach to the relationship between art, craft and industry: Alessi through domestic ritual, Cassina through modern furniture heritage, Driade through eclectic experimentation, Flos through lighting innovation, Vitra through design culture and Kartell through plastic technology.
Best Design Stores in the World and Why They Matter
A great design store does not merely sell objects. It frames them. The best examples help us understand why a kettle, lamp, chair or storage unit can carry cultural meaning. These stores reveal how designers work with manufacturers, how materials shape use, and how ordinary household objects can become part of design history.
For readers interested in industrial design, furniture design, product design and decorative and applied arts, these six companies offer a useful starting point. Their catalogues bring together celebrated designers, refined production methods and enduring design principles such as balance, proportion, functionality and material honesty.
1. Alessi: Italian Design for Everyday Rituals

Founded in 1921 in Omegna, Alessi began as a metalworking workshop and gradually became one of the most recognisable names in Italian product design. Its official store presents domestic objects as small works of applied art. Kettles, coffee makers, trays, bowls and kitchen tools become part of a larger conversation about ritual, humour, symbolism and craftsmanship.
Alessi is especially important because it treats the home as a site of cultural imagination. The company has collaborated with architects and designers who bring sculptural, architectural and sometimes theatrical qualities to ordinary objects. This approach helps explain why Alessi sits naturally beside articles on Alessi Italian design, Michael Graves, Aldo Rossi and Alessandro Mendini.
As a design store, Alessi is valuable because it shows how industrial production can retain wit, personality and emotional charge. It is not minimalism for its own sake. Instead, it presents the kitchen and dining table as places where design mediates between utility and pleasure.
Explore Alessi’s official history >
2. Cassina: Modern Furniture as Cultural Heritage
Cassina was founded in 1927 in Meda, in the Brianza furniture-making district north of Milan. Its store and catalogue are essential resources for understanding Italian furniture design, especially the way industrial production can preserve craft intelligence. Cassina’s importance lies in its ability to combine historical furniture icons with contemporary collections.
The brand is closely associated with design authorship. It treats furniture not as anonymous furnishing, but as a cultural object shaped by architects, designers, manufacturers and changing patterns of domestic life. Cassina’s catalogue therefore belongs within a broader study of Cassina as an Italian furniture manufacturer, Le Corbusier, Mies van der Rohe and Carlo Scarpa.
For the design enthusiast, Cassina’s store is one of the best design stores in the world because it functions as both showroom and archive. The company’s strongest pieces invite close attention to proportion, upholstery, joinery, surface finish and spatial composition. In this sense, Cassina represents furniture as architecture at human scale.
Explore Cassina’s official history >
3. Driade: The Design Store as Aesthetic Laboratory

Driade was founded in 1968 and has long described itself as an aesthetic laboratory. This phrase is useful because it captures the brand’s willingness to combine furniture, art objects, domestic accessories and spatial theatre. Unlike brands that pursue a single visual language, Driade often celebrates plurality.
Its store is important for readers who want to see how post-war Italian design moved beyond strict functionalism. Driade embraces elegance, eccentricity and experiment. It can be read alongside the wider histories of Ettore Sottsass, Gaetano Pesce, Andrea Branzi and Italian radical design culture.
Driade is one of the best design stores in the world because it reminds us that the home can be a cultural stage. Chairs, tables and decorative objects do not simply fill rooms; they produce atmosphere. Through colour, silhouette and material contrast, Driade shows how furniture can shape identity and emotion.
Explore Driade’s official company page >
4. Flos: Lighting Design as Atmosphere and Innovation
Flos emerged in the early 1960s from the ambition to create lighting that could change modern living. Its history is associated with Dino Gavina, Arturo Eisenkeil and designers such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. The company’s early experiments with cocoon-like synthetic materials gave modern lighting a new sculptural language.
As a design store, Flos is essential because lighting sits between product design, architecture and atmosphere. A lamp is not only an object. It changes how surfaces, colours, proportions and materials appear. This makes Flos highly relevant to readers interested in lighting design, Flos as an Italian lighting manufacturer, Vico Magistretti and Bruno Gecchelin.
The Flos store is one of the best design stores in the world because it clarifies the role of light in modern design. Its products show how engineering, optics and poetic form can work together. A well-designed lamp can be functional, architectural and emotionally resonant at the same time.
Explore Flos’s official heritage page >
5. Vitra: Furniture, Architecture and Design Culture

Vitra developed from a Swiss family business into one of the most influential design companies in Europe. Its modern identity is closely tied to the production of furniture by Charles and Ray Eames and George Nelson, as well as to contemporary collaborations with leading designers and architects.
Vitra is especially significant because it does not separate the store from the museum, the archive or the built environment. The Vitra Campus brings together production, exhibition, architecture and retail in one cultural landscape. This makes Vitra a natural companion to articles on the Vitra Design Museum, George Nelson, Charles Eames, Ray Eames and Jasper Morrison.
Vitra’s store is one of the best design stores in the world because it presents furniture as part of a larger ecosystem. Office chairs, lounge chairs, storage systems and accessories are placed within questions of work, domestic life, public space and architectural context. It is a model of how a design brand can become an educational institution as well as a manufacturer.
Explore Vitra’s official design history >
6. Kartell: Plastic, Colour and Industrial Experiment

Kartell was founded in 1949 by Giulio Castelli and became a defining name in Italian plastic design. Its store is a lesson in material transformation. Plastic, once associated mainly with utility and industry, becomes transparent, colourful, stackable, modular and expressive.
Kartell’s importance lies in its ability to turn new materials into a recognisable design language. The company has collaborated with designers who understand moulding, colour, repetition and mass production. Its products can be explored alongside Kartell’s Milanese furniture history, plexiglass in design, Bakelite and broader histories of industrial design.
Kartell remains one of the best design stores in the world because it makes material innovation visible. Its furniture and accessories demonstrate how industrial processes can produce elegance, humour and accessibility. The result is a design language that belongs equally to the home, the showroom and the history of modern material culture.
Explore Kartell’s official company history >
What These Design Stores Reveal About Modern Design
Taken together, these six stores show how modern design depends on a productive tension between art and industry. Alessi turns household rituals into expressive objects. Cassina preserves modern furniture as living heritage. Driade treats the interior as an aesthetic laboratory. Flos designs with light, shadow and atmosphere. Vitra connects furniture to architecture and institutional design culture. Kartell transforms plastic into a medium of colour, transparency and mass-produced beauty.
They also show why the best design stores are useful for research. A catalogue can reveal patterns in materials, manufacturing, collaboration and taste. It can show how design companies position themselves historically, how they revive archives, and how they respond to changing ideas about sustainability, comfort, labour, domesticity and global culture.
For Encyclopedia Design, these stores are not simply places to buy objects. They are case studies in material culture. They help us trace the movement of design from workshop to factory, from exhibition to home, and from useful object to cultural artefact.
Key Takeaways
- The best design stores in the world act as curated archives of product, furniture and lighting design.
- Italian design dominates this selection because of its strong post-war relationship between manufacturers, architects and experimental designers.
- Vitra demonstrates how a design company can expand into architecture, museum culture and education.
- Kartell shows how new materials can reshape the visual language of furniture and domestic objects.
- Each store offers insight into the wider history of applied arts, industrial production and modern living.
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