Edwin Lutyens featured image
Edwin Lutyens wooden seating

The Early Years and Influences

Sir Edwin Landseer Lutyens, born in 1869, made an indelible impact on English architecture and design, effortlessly merging tradition with the necessities of modern living. As a young man, he joined the architectural firm George and Peto, where he met Herbert Baker, who would later become a significant collaborator. Influenced by eminent architects like Richard Norman Shaw and Philip Webb, Lutyens set out to carve his own niche in the design world.

Edward Hudson, the founder of Country Life magazine, took an interest in the young Lutyens and helped promote his work. The designer’s early foray into furniture design included a range of modest furnishings for his first married home. Outdoor furniture was a primary focus at the onset, but Lutyens would revisit this theme multiple times over his career. His designs for his residence included historicist elements like a four-poster bed and a wood refectory table with substantial pillar supports.

Lutyens and Furniture Design: Function Meets Aesthetic

Lutyens was not just an architect but also a furniture designer with a knack for creating functional yet aesthetically pleasing pieces. He designed 21 seats for the boardroom of Country Life in 1905 and even ventured into bold and audacious designs post-World War I. His furniture often exhibited his unique taste, evident in his London home on Mansfield Street, where chairs modelled after Napoleon’s meridiennes added an intriguingly asymmetric touch.

Architectural Interiors: A Journey from Berkshire to New Delhi

Lutyens’ architectural endeavours took him to various corners of the world, most notably to New Delhi, where he designed a sprawling complex of government buildings, including the iconic Viceroy’s House. This project allowed him to let his creativity run wild, particularly in areas like the nursery, which featured whimsical chandeliers and inventive clocks. His furniture and interior designs from New Delhi found new applications in other projects, such as Crane Bennet’s London offices.

Architecture: The Grand Scale and Varied Styles

Lutyens’ architectural projects ranged from quaint Arts and Crafts-style country homes like Deanery Garden to monumental buildings like Britannic House, the Midland Bank headquarters. His work incorporated a diverse array of styles—Queen Anne, English Regency, Mughal, and Neoclassicism. In the 1930s, his most substantial project was the Metropolitan Cathedral of Christ the King in Liverpool, designed in the style of Christopher Wren and aptly dubbed “Wrenaissance.”

Legacy: An Indelible Impact

Lutyens left a lasting legacy not only in architecture but also in the furniture and design sectors. His mastery over various styles and his ability to adapt and innovate made him a versatile and ever-relevant figure in the design landscape. Although he passed away in 1944, his influence resonates to this day, be it in the form of his still-produced wooden garden settee or his monumental architectural wonders.

Lutyens’ journey—from his early influences to his large-scale projects—demonstrates his adeptness at blending tradition and modernity, a hallmark of timeless design.


Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.

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