Guy Van Leemput, a porcelain artist and mathematician, crafts exquisite ceramic bowls using air filled balloons. He achieves precisely round vases, gracefully finished with detailed parts to produce insolite and delicate design pieces, by allowing the material to flow on the balloon.
You may also be interested in
Ambrogio Pozzi (b.1931) Italian Industrial Designer
He worked in the family firm Ceramica Franco Pozzi in Gallarate from 1951 and redesigned its traditional products in an award-winning Functional style. His widely published 1970 Compact stacking coffee service was designed for machine production in three sizes. He set up his design practice, where clients included Riedel, Rossi, Guzzini, Pierre Cardin, Rosenthal, Norex, La Rinascente department store, and Alitalia.
Michael Cardew (1901 – 1983) British Ceramicist
He learned to throw pottery from William Fishley Holland at the Braunton Pottery, North Devon, 1921—22. In 1923, he met Bernard Leach and Shoji Hamada at St. Ives.
Otto Lindig (1895 – 1966) German Ceramicist
He was an enthusiastic supporter of the pottery workshop at the Bauhaus, contending that it should be included in the school’s curriculum. When it was separated into design and production workshops, Lindig supervised the latter, combining hand work and mass production approaches.
Trude Petri-Rabin (1906 – 1989) German Ceramicist
From 1927 she studied porcelain at Verinigdten Staatsshulen für freie und angewandte Kunst (United State Schools for Free and Applied Arts), Berlin, and Staatliche Porzellan-Manufakture, Berlin (Royal Porcelain Factory, Berlin).
Grand Feu Art Pottery – California
Grand Feu Art Pottery, was founded in California by Cornelius Brauckman. Its output was of high quality and aesthetically distinctive. Generically, grand feu is ceramic ware fired at 2500°F (1400°C), maturing its body and glaze simultaneously. Grand feu is both porcelain and gres, and Grand Feu Art Pottery specialises in the latter.
Edward Lycett (1833 – 1910) British-American Ceramicist
Edward Lycett (1833 – 1910) was a British Ceramicist. He was born in Newcastle under Lyme. He was professionally active in New York.
Laura Knight (1877 – 1970) British Painter and Ceramicist
She was a juror of the 1922 Carnegie International competition, Pittsburgh. She designed both the shapes and the decorations for the 1933—34 Circus range of tableware produced by Arthur J. Wilkinson, Burslem, under Clarice Cliff’s supervision.
Christian Joachim (1870 – 1943) Danish Ceramicist restrained neo-classical forms
Christian Joachim was a Danish Ceramicist (1870-1943). Between 1889 he studied at the Det Kongelige Danske Kunstakademi, Copenhagen. Between 1897 and 1900, Joachim made ceramics with George Jensen in a workshop outside Copenhagen. Between 1901 to 1933 worked for the Royal Copenhagen Porcelain Manufactory, where Arno Malinowski sometimes decorated his restrained neoclassical forms.
Edward Taylor (1838 – 1912) and Ruskin Pottery
While it was prone to cynicism in the 20th century – for example, it was often pointed out that Morris’ handmade goods were too costly for anyone other than the wealthy he claimed to despise. However, through a fertile and now highly valued time of applied art, the Arts & Crafts wove a distinctive pattern.
Theodor Kittelsen (1857 – 1914) Norwegian Ceramicist and Book Illustrator
In the early 1900s, he was a designer for Porsgrunds Porselaensfabrik, Porsgrunn. In 1882 Kittelsen was granted a state scholarship to study in Paris. In 1887 he returned to Norway for good. When back in Norway, he found nature to be a great inspiration. He spent the next two years in Lofoten, where he lived with his sister and brother-in-law at Skomvær Lighthouse. Kittelsen also started to write texts to his drawings there.
Jonina Gudhnadottir (b.1943) Icelandic Ceramicist
Jonina Gudhnadottir (b.1943) is an Icelandic ceramicist. She is based professionally in Reykavik. Her work has been seen in many exhibitions.
Alexandre Bigot (1862 – 1927) French Ceramicist
Alexandre Bigot (1862-1927) was a french ceramics manufacturer. He was initially a physics and chemistry teacher.
Joseph and Pierre Moughin – French ceramicists
Joseph Mougin decided to become a ceramicist after seeing an exhibition of Jean Carriès’s pottery in 1894. He set up a studio and a kiln in Montrouge with the help of sculptor friend Lemarquier and his brother Pierre Mougin.
Susumu Ilkuta Japanese Ceramicist
He worked as a fashion designer in Tokyo. In 1958, he moved to New York at the invitation of hatter Lilly Daché. He studied ceramics in night classes in New York. In 1973, he returned to Japan, where he studied with Kohbei and painted on unfired porcelain.
Rut Bryk (1916 – 1999) Swedish ceramicist/graphic/textile designer
In 1942, she worked for the pottery Arabia, Helsinki; from 1959, she was a freelance ceramics designer with Rosenthal, Selb. From the 1960s, she worked for Vassa Cotton Company.
Dominick Labino (1910 – 1987) American glassware designer and ceramicist
He began his work as an instrument builder for the Bacharach Instrument Company in Pittsburgh. He then moved on to Owens-Illinois Glass Company, where he developed a lifetime interest in glass. He established small laboratories to create new glass batches and fabricate small glass objects while in command of the Owens-Illinois Glass Company milk-bottle plant.
LaGardo Tackett (1911 – 1992) American Ceramicist
He ran a pottery studio from 1946 to 1954. He taught at Los Angeles’s California School of Design, where he and his students developed outdoor pottery planters, which resulted in establishing the Architectural Pottery in 1950.
Jean Luce (1895 – 1964) French ceramicist and glassware designer
French designer. He worked primarily in ceramics, but also designed for glass and gold. His ceramics, in an Art Deco style, were manufactured in Limoges
New Wave Clay: Ceramic Design, Art and Architecture
Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice.
Shoji Hamada (1894 – 1978) Japanese Potter
Shoji Hamada, along with Bernard Leach, was one of the key figures in the development of studio pottery in the 20th century. His influence both in England and the US as well as in his native Japan cannot be underestimated.
- Click to share on Facebook (Opens in new window)
- Click to share on Pinterest (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to email a link to a friend (Opens in new window)
- Click to print (Opens in new window)