Kwok Hoi Chan (1939 – 1987) Chinese Architect and Interior Designer

Kwok Hoi Chan (1939 – 1987) was a Chinese architect and interior designer who studied at the University of Architecture, Hong Kong.

Projects

Interior design projects included furniture for Air India and the IBM offices in Hong Kong. 1966-68, Chan worked in a design studio in London, contributing to the interiors of the ocean liner Queen Elizabeth II. He subsequently designed for Spectrum, the Netherlands. He created the cantilever in tubular steel with leather-covered thermoplastic material, an Alligator lounge chair, a Chromatic range, and a Zen chair, all produced by Sieges Steiner.

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Case Study Pussy Cat Chair

The “Pussy-cat” chair, designed by Kwok Hoi Chan in 1962 and manufactured by Sièges Steiner of Paris, exemplifies the innovative spirit of the mid-20th century. This unique piece of furniture showcases a blend of aesthetics and functionality, marking a significant moment in design history.

Design and Materials

The chair’s distinctive design features a tubular steel frame and a sleek, white plastic shell, offering a modern twist on traditional seating. The choice of materials—steel, plastic, and optional coverings of brown leather or ‘jernyl’ nylon jersey—reflects a period of experimentation and a departure from conventional wood and fabric furniture. The frame’s long triangular base provides stability and a futuristic appearance, while the metal fittings at each side of the seat emphasize industrial precision.

Historical Significance

First presented at the Italian Triennale Exhibition in Milan in 1969, the “Pussy-cat” chair captured the attention of the design world. Its debut highlighted Chan’s architectural background and his ability to merge it with interior design, creating functional art. The chair’s resilient steel construction and versatile covering options catered to both aesthetic and practical demands.

Visual and Tactile Appeal

The “Pussy-cat” chair’s smooth contours and the textural contrast between the glossy plastic and the soft covering options (leather or nylon) speak to the senses. The visual lightness of the chair, combined with its physical comfort, makes it a sought-after piece for both collectors and enthusiasts of mid-century modern design.

Sources

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

Additional Reading

Victoria, Department, A. M. C., & Gallery, W. A. (1971). Modern Chairs, 1918-1970. Lund Humphries. https://amzn.to/3dhCP0p

Watson, F. (1982). The History of Furniture. Crescent Books. https://amzn.to/3xzEB6j

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