This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.
Chinese Ceramics: Highlights of the Sir Percival David Collection
by Regina Krahl (Author), Jessica Harrison-Hall (Author)
Outside of Asia, Sir Percival David amassed one of the best collections of Chinese ceramics. Many imperial-quality artifacts include stunning specimens of highly rare Ru and guan ceramics and the famed David vases. Their inscriptions date from 1351, giving them a globally recognized standard for determining the age of Chinese blue and white porcelain.
Here are 50 highlights, all accompanied by colour images explicitly made for this publication. The following text provides further information and highlights the key characteristics of each item. The collection’s breadth and depth give enough material for a breathtaking overview and approachable introduction to Chinese ceramic art.
More Ceramic Design
Castelli Maiolica Apothecary Jug: Renaissance Form and Function
This sixteenth-century Castelli maiolica apothecary jug unites a functional spout and handle with vivid female profile portraits and the medicinal inscription “oximel”.
Doulton Silicon Ware: History, Decoration and Revival
Doulton Silicon Ware was a distinctive high-fired English stoneware made at Lambeth, recognised for its matt smear glaze and carved, incised, perforated and applied decoration.
American Industrial Designers: Pioneers, Products and Lasting Influence
Explore the American industrial designers who transformed products, transportation, furniture and everyday life through innovation and mass production.
Gosu Aka-e: Chinese Porcelain in Japanese Ceramics
Gosu aka-e is a bold, red-overglaze porcelain originating from southern China, later adapted by Japanese potters, particularly Okuda Eisen, influencing tea culture and ceramic tradition.
The Art and History of Stained Glass
Stained glass, evolving from ancient practices to modern applications, transforms light into vivid forms and patterns, enriching spaces in religious and contemporary architecture alike.
Designing the V&A: The Museum as a Work of Art, 1857–1909
Julius Bryant’s Designing the V&A examines how architecture, engineering and decoration transformed the South Kensington museum into a work of art.
