Historical Context: The Moorish Influence
The Alhambra Table Fountain, created between 1852 and 1853, is a remarkable example of the fusion of Moorish artistic traditions with Victorian-era sensibilities. Moorish art, originating from the medieval Islamic period in Spain, particularly in Granada, is characterised by its intricate geometric patterns, vibrant colours, and detailed craftsmanship. This period was a melting pot of cultures, where Islamic, Christian, and Jewish influences intermingled, giving rise to unique artistic expressions.
Design Aesthetics: A Shrine of Opulence
At the heart of this masterpiece lies the representation of a Moorish pavilion. The dome, adorned with exquisite champlevรฉ enamelling, illustrates the high precision and artistry prevalent during this era. Champlevรฉ, a technique of enamelling in which troughs or cells are carved into a metal object and filled with vitreous enamel, was a popular method to create vibrant, enduring colour schemes in decorative arts.
The leafy base upon which the pavilion rests adds a naturalistic element, juxtaposing the architectural precision of the dome. This contrast highlights the Victorian era’s fascination with nature and its integration into the design.
Symbolic Representation: Horses and Figures
A striking feature of the Alhambra Table Fountain includes three Arab horses and their Arabian attendant, alongside an African boy with a dog. These figures are not mere decorative elements; they symbolise Queen Victoria’s political and cultural connections. The Arab horses and gifts to the Queen signify diplomatic relations and the global reach of the British Empire during the Victorian era.
Flora and Fauna: The Natural World in Metalwork
Lower on the base, flamingos, a vulture, and plants indigenous to Arabia further the narrative of cultural diversity and ecological awareness. This choice of fauna and flora serves as a reminder of the natural world’s importance in Victorian art, a theme often revisited in the period’s decorative arts.
Scent of Royalty: The Rosewater Fountain
The fountain’s ability to spurt scented rosewater, hence its nickname ‘The Fountain Temple,’ adds a sensory experience to its visual grandeur. This feature was a display of opulence and an embodiment of the Victorian era’s fascination with the exotic and the sensory.
Legacy and Exhibitions: A Journey Through Time
The Alhambra Table Fountain’s journey from the Dublin Industrial Exhibition in 1853 to its current home in the Royal Collection is a testament to its enduring appeal. Its display at significant exhibitions, including the London International Exhibition of 1862 and the Victoria and Albert Museum Centenary Exhibition of 1962, underscores its historical and artistic significance.
Sources
Newman, H. (2000). An illustrated dictionary of silverware. Thames & Hudson.
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