Gillo Dorfles was an Italian art critic, philosopher, and artist born on April 12, 1910, in Trieste, Italy, and passed away on March 2, 2018, in Milan, Italy. He was a prominent figure in the field of aesthetics and made significant contributions to the study of contemporary art.
Education
Dorfles received his degree in medicine from the University of Milan in 1936, but his passion for art led him to pursue a career as an art critic and theorist. He played a crucial role in developing the Italian art scene and was associated with the avant-garde movements of the 20th century.
Biography
In 1948, with Soldatai, Monnet, and Munari, he was a founder of MAC (Movimento Arte Concreta). In 1956, he became a member of ADI (Associazione per il Disegno Industriale), a promotion committee member.
As an art critic, Dorfles was known for his interdisciplinary approach, incorporating philosophy, sociology, and psychology into his art analyses. He believed that art should reflect the cultural and social context in which it was created and often examined the relationship between art and technology.
Dorfles authored numerous books and essays on art and aesthetics, including “Introduction to Contemporary Art” (1968) and “Kitsch: An Anthology of Bad Taste” (1968), which explored the concept of kitsch and its significance in contemporary culture. He also curated exhibitions and lectured extensively on art and culture.
Throughout his career, Dorfles was a proponent of artistic experimentation and openness to new forms of expression. He embraced a broad range of artistic styles and movements, advocating for the importance of individual creativity and innovation in art.
Academia
- He was a professor of aesthetics at Universita di Trieste.
- He was on the committee of the 1955 industrial design exhibition London.
- He was a member of the international industrial design stand, 1957 (XI) Triennale di Milano;
- Of the jury at ‘BIO’ Industrial Design Biennale, Ljubljana;
- Of the jury at the event in Jablonec (now the Czech Republic);
- Commissioner of the industrial stand at 1960 (XII) Triennale di Milano;
- Delegate at 1957 ‘Journée de l’Esthetique Industrielle,’ Paris;
- Speaker at ICSID (International Congress of Industrial Designers), London;
- Speaker at industrial section, 1957 Congresso dell’Aica, Naples.
- Dorfles participated in the congress, 1954 (X) Triennale di Milano;
- 1957 meeting of CIAM (Congrés Internationaux d’Architecture Moderne) in Venice; and in
- 1961—62 events at Instituto Disegno Industriale, Florence; Italian Institute, London;
- In 1963, Kunstgew-erbemuseum, Ziirich.
- He published books Il Disegno Industriale e la sua estetica (1963) and Introduzione al Disegno Industriale (1971);
- He was one of the first to observe the Kitsch in decoration and design, publishing Kitsch (1968).
Sources
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
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