Eugenia Errazuriz was a Chilean society hostess. She was born in Huici, Chile and was active in Paris and London.
In 1880, she married the wealthy landscape painter José Thomas Errazuriz and settled in Paris.
Minimalist
She furnished her homes sparsely, shunning furniture suites, potted palms, and other clutter, commanding: ‘Throw out and keep throwing out. Elegance means elimination.’ She spent freely but lived, blending patrician and peasant tastes. She preferred attractive chairs, flowers, a desk, plain inexpensive fabrics hung, and a bare scrubbed floor in her main room. Elsa Schiaparelli adopted her affection for what she called ‘Inca pink’ as ‘shocking pink.’ Her friends included Madrazos, Bibescos, and Helleus.
Around 1900 the Errazurizes moved to Cheyne Walk, London, where Eugenia’s associates included the unconventional photographer Baron de Meyer, her nephew Tony de Gandarillas and James Abbott McNeill Whistler.
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Friendship with Picasso
After her husband died in 1913, she returned to Paris. She was a friend of Igor Stravinsky. Through Jean Cocteau, she met Pablo Picasso, who drew her often. Between 1915 and 1925, she maintained a close, loving friendship with Picasso. Besides a passion for the artist, she also had a passion for his recent work. Picasso enjoyed her company and talking Spanish with her, but given the age gap, her purity and his other involvements, there was no question of an affair.
When Picasso married Olga Koklova in 1918, they honeymooned at Errazuriz’s Biarritz villa, ‘La Mimoseraie.’ Before 1914 the estate had white walls and terracotta tiles, although she used 18th-century French silver flatware.
Eugenia transformed Picasso from a scruffy Montparnasse bohemian into the elegant lion of what Max Jacob called his ‘duchess period.’
Picasso biographer, John Richardson
A woman of taste and social prestige
She was fond of jasmine, lavender, rose geranium, lemon verbena and other aromatic plants in bare flower pots. Her Paris home was in the 18th-century townhouse of Étienne de Beaumont, using primarily white and indigo. She was fastidious about her slipcovers made by Leitz. She would wear a simple black shift designed by Coco Chanel. She would entertain guests, including Jean Hugo, Emilio Terry, Raymond Radiguet, and Georges Braque.
She was very influential on the tastes of Cocteau and Jean-Michael Frank. Le Corbusier designed the 1930 Errazuriz House (unrealised) for Vino del Mar (Chile) with a pitched roof in timber and stone. It was his first essay incorporating primitive technical elements. In 1950 she sold up and returned to Chile. The influence of her aesthetic, with its carefully contrived Mediterranean simplicity as a setting for a few well-chosen pieces, was profound.
Sources
Angels in the wings. (1996, October 23). The Guardian. https://www.newspapers.com/image/260405896/?terms=Eugenia%20Errazuriz&match=1.
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
Additional Reading
Banham, J. (1997). Encyclopedia of Interior Design. Taylor & Francis. https://amzn.to/3pbXWGX
Bender, N. (2014). John Sargent: 121 Drawings. Osmora Incorporated. https://amzn.to/3riASsE
de Zayas, M., & Naumann, F. M. (1998). How, When, and Why Modern Art Came to New York. MIT Press. https://amzn.to/3pbbjH9
FitzGerald, M. C. (1996). Making Modernism: Picasso and the Creation of the Market for Twentieth-century Art. University of California Press. https://amzn.to/3p77DX0
Pierotti, J. N., Gallery, D., & Gardens. (2018). The Real Beauty: The Artistic World of Eugenia Errázuriz. Dixon Gallery and Gardens. https://amzn.to/3xElvvz
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A small space doesn’t necessarily mean you have to be cramped. Maybe there is not enough light; furniture doesn’t sit well, the layout isn’t right? How do you make a small room feel more spacious? With clever use of colour, furniture placing, space planning and lighting, your small space can feel as spacious as you…
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Small studio space in a warm color palette
This small one-room studio is decorated with lots of white combined with natural materials and warm colours like beige and ochre. This warm palette looks very inviting and unifies the style throughout the space. My favourite area must be the small white dining area with white bentwood chairs. Perfect for a morning coffee.Read More →
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London. A small but boldly coloured house
She has Italian design from the 1950s to the 1980s, with a special emphasis on Gio Ponti. A few Ikea pieces are on proud display, joined by vintage items found at flea markets and on eBay. Contemporary objects include a cushion by Nathalie Du Pasquier for Hay and a stool by Anton Alvarez. Read More…
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Otto Swivel Chair by Tim Webber Design Studio
The Otto Chair combines a sense of comfort, luxury and practicality into one small-footprint easy chair. The moulded foam seat shell wraps around you to create a chair that could be sat in for hours, be it in the office or at home. Read More →
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A Fearlessly Decorated Loft in a Restored Firehouse — House Tour
I love the idea of residing in a restored firehouse that is now used as a live/work art gallery that houses a group of creatives from different mediums!Read More →
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Émile Bernaux ( 1883 – 1970 ) French sculptor and furniture designer – Encyclopedia of Design
Émile Bernaux was a French sculptor and furniture designer. He was born in Paris in 1883. GRANDFATHER CLOCK, CIRCA 1910 Carved wood with bronze handles Bearing the artist’s monogram on the upper door and signed in full on the side 222 cm. high 53 cm. wide 32 cm.
Odilon Redon’s Classic paintings Capture Logic of Invisible – Encyclopedia of Design
Odilon Redon, the artist who at the age 73 outsold all but Marcel Duchamp at the 1913 Armory Show of “Modern French Art ” in New York City. Redon, who died three years later, also exhibited more works than any other artist at that famous show, including Matisse, Van Gogh, Gauguin, Cezanne, Picasso, Monet and Renoir.
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- The Social Design Reader
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