Atika (1987 – 1999) – Czech Design Group

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

"Sach" Wood Sculpture Side Chair by Vit Cimbura for Atika, No. 14/1, Czech, 1988
“Sach” Wood Sculpture Side Chair by Vit Cimbura for Atika, No. 14/1, Czech, 1988

Established in 1987, Atika was a pioneering Czech Design Group based in Prague. Inspired by the anti-design movement in Italy, including luminaries like Archizoom, Alchimia, and Memphis, Atika sought to invigorate the design landscape with its unique approach.

Embracing Post-Modernism

Atika’s ethos was rooted in Postmodernism. It aimed to challenge traditional design norms and foster a space for experimentation and unconventional expression. Drawing from diverse influences, the group embraced symbolism, particularly about nature, society, and the urban environment.

Innovative Style and Materials

Atika’s design style was characterized by using varied materials such as wood, metal, and leather, creating a rich tapestry of textures and colours. This eclectic mix allowed the designers to explore a broad palette of hues and forms, resulting in visually striking and thought-provoking creations.

The Founding Members

Led by a cohort of passionate and visionary young designers, Atika’s founding members included Bohuslav Horak, Vit Cimbura, Jaroslav Susta Jr., Jiri Pelcl, and Jiri Javurek. Each member brought their unique perspective and talents to the collective, contributing to the group’s dynamic and innovative output.

Evolution and Impact

Atika’s emergence marked a significant departure from the prevailing design ethos in Czechoslovakia. It challenged the status quo and pushed boundaries. Despite facing initial criticism for its Western influences and departure from functionalism, Atika’s bold approach garnered domestic and international attention.

Exhibition Highlights

The group’s debut exhibition in 1987 sparked controversy within the Czech design community, drawing praise and criticism for its avant-garde aesthetic. Subsequent exhibitions in Prague, Paris, Vienna, and beyond further solidified Atika’s reputation as a contemporary design pioneer.

Legacy and Disbandment

While Atika disbanded in 1992, its legacy is a testament to the power of design to provoke thought, inspire change, and transcend cultural boundaries. The group’s influence continues reverberating throughout the design world, serving as a source of inspiration for future creatives.

Sources

Atika. Oxford Reference. Retrieved 8 May. 2024, from https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095431733.

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

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