Gérard Sandoz French Jewellery Designer

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

Vanity Case circa 1930 by Gérard Sandoz
Vanity Case circa 1930 by Gérard Sandoz

Early Beginnings and Artistic Foundations

Gérard Sandoz, born in 1902 in Paris, embarked on his artistic journey in his father’s workshop, mastering the crafts of jewellery and silversmithing. His early exposure to the arts, guided by his father and later his uncle, Paul Follot, a prominent figure in the decorative arts, deeply influenced his artistic development. Sandoz’s formative years were marked by a fusion of traditional craftsmanship and a burgeoning interest in modern artistic expressions, setting the stage for his later innovations.

The Mechanistic Muse: Jewelry Design in the 1920s

During the 1920s, Sandoz distinguished himself as a visionary jeweller, incorporating mechanistic designs that mirrored the dynamic technological advancements of the era. His creations, characterized by their geometric precision and use of precious and semi-precious stones, positioned him alongside contemporaries like Jean Fouquet and Raymond Templier at the forefront of the Modern jewellery movement. Sandoz’s work during this period reflected the aesthetic shifts of the time and contributed to the narrative of jewellery as a form of wearable art.

Contributions to the Avant-Garde: UAM and Beyond

In 1929, Sandoz’s commitment to modernist ideals led him to become a founding member of the Union des Artistes Modernes (UAM), an organization dedicated to embracing and promoting modernist aesthetics across various forms of art and design. His involvement in UAM exhibitions and contributions to the 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes underscored his influence in shaping the direction of French modernism.

A Diverse Artistic Portfolio: From Jewelry to Cinema

In 1928, Sandoz made a significant career pivot, abandoning jewellery design and closing his family’s firm. He ventured into filmmaking, working with figures like Paul Poiret and Danielle Darrieux, and expanded his artistic repertoire to include scriptwriting and set design. This career phase highlighted his versatility and ability to transcend traditional artistic boundaries.

Later Years and Legacy

After decades of jewellery, Sandoz returned to this art form in the 1980s, reinvigorating his passion for design and craftsmanship. His legacy, marked by a profound ability to blend artistic disciplines and push the boundaries of design, continues to influence contemporary art and jewellery. Sandoz’s pieces, such as the VANITY CASE, which fetched 40,320 USD at a Christie’s auction in 2022, remain highly valued and celebrated in the art world.

Sources

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

More French Jewellery Designers


Discover more from Encyclopedia of Design

Subscribe to get the latest posts sent to your email.