Italics are probably the most common form of typographic emphasis and is used in both text and display settings. True-drawn italics are usually a unique and separate design from their Roman brethren. Aldus Manutius, a commercial printer, was looking for a way to fit more type onto a page and to reduce the price of his low-cost editions.
Arrow Design ‘Brand New Roman’ is a Fun Mashup of All the Corporate Logos You Know and Love BY Shaunacy Ferro.
Hello Velocity Brand New Roman is not your average typeface. You’ll probably never find it in the drop-down menu of Microsoft Word or see it on a sign, but it’s instantly recognizable.
Although it sounds like it ‘Greeking’ is not some weird sexual practice practised by the ancients. ‘Greeking’ is a technique that originated in advertising where the potential ad copy or text for a new ad being developed is represented by non-words so that the viewer can focus on the overall design rather than getting caught up in the actual details of the text.
Gelion is a Sans serif with a geometric touch with a minimal contrast of strokes, inspired by Futura, Avant Garde, Avenir and neo-grotesque Akzidenz-Grotesk, Helvetica form remaining true to the gracefully geometric look of the early 20th-century typefaces, that ticks off a long list of branding requirements.
These posters by Robin Weissenborn are not new, they were designed in 2015 and awarded in an international poster competition. The graphic designer, who was studying at the prestigious Bauhaus university at the time, designed a series of posters using experimental typography and cool distorted perspectives.