Børge Mogensen (1914 – 1972) was a Danish furniture designer.
1936-38, studied Kunsthåndværkerskolen, Copenhagen, and 1938-42, furniture, Det Kongelige Danske Kunstakademi, Copenhagen, under Kaare Klint.
Between 1942-50, he was chair of the furniture design department of the Association of Danish Cooperative Wholesale Societies, designing simple utilitarian pieces.
1945-47, he was an assistant to Kaare Klint at Det Kongelige Danske Kunstakademi.
1945-46, he worked with Hans Wegner.
In 1950, he opened his own office in Copenhagen. Mogensen worked for various architects, including Mogens Koch and Kaare Klint, 1938-42.
In 1962 with Klint, he designed school furniture. He was a design consultant to Karl Andersson, Søborg Møbelfabrik, Fredericia Stolefabrik, Hüskvarna, P. Lauritsen, and Erhard Rasmussen.
From 1953, he was an artistic consultant to C. Olesen. He designed wooden furniture combined with leather and fabric; the fabric was designed with Lis Ahlmann. He designed traditional types of Chinese furniture, Windsor chairs, and Shaker models. They were practical and popular, and some are still in production today.
Mogensen is best known for his 1964 Asserbo Chair 504, produced by Karl Andersson of Hüskvarna. After extensive research into the ideal proportions and standardised measurements for daily use objects, he designed the 0resund system with Grethe Meyer.
1938-62, his work was shown at the ‘Copenhagen Cabinet-makers’ Guild’ annual exhibitions and those of the Danish Society of Arts and Crafts and Industrial Design.
His work was included in the 1968 ‘Two Centuries of Danish Design’ at the Victoria and Albert Museum, London.
He received awards including;
- the 1945 Bissen Legacy,
- 1950 Eckersberg Medal,
- 1953 Dansk K0bestaevne (Danish Trade Fair) Silver Medal,
- 1958 Copenhagen Cabinet-makers’ Guild award of honour, and
- 1971 Danish furniture prize.
- In 1972, elected Honorary Royal Designer for Industry.
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
You may also be interested in
For more than 250 years, the Royal Danish Academy of Fine Arts (Danish: Det Kongelige Danske Kunstakademi) has provided education in the arts, playing a role in Denmark’s art growth. On March 31 1754, the Royal Danish Academy of Portraiture, Sculpture, and Architecture in Copenhagen was opened and given to King Frederik V on his 31st birthday.
The Danes were greatly influenced by Germany’s Bauhaus movement in the early part of the twentieth century. However, they took a different tack, due mainly to an ingenious architect and designer, Kaare Klint. Danish design has a down to earth approach. Klint and his fellow architects chose usefulness where the Bauhaus sought aesthetic beauty.
By Lars Dybdahl A definitive history of Danish design in the twentieth century told by 101 iconic objects. Denmark has a long and illustrious tradition in the world of design. Danish furniture, textiles, home appliances, and utensils from the 1960s and 1970s are now more common than ever and can be found in design galleries and flea markets.
Karen Vibeke Klint was a Danish weaver and textile designer, educated in 1949 from the Arts and Crafts School in Copenhagen. Vibeke Klint has been extremely active in the latter half of the twentieth century, both as a craftsman, designer, teacher. Her artistic work consists mainly of tapestries, blankets, silk fabrics and home textiles.
Fredericia Furniture will be one of the complete portfolios of classic and contemporary design furniture, with Erik Jørgensen Møbelfabrik, rooted in the Danish design tradition. When Fredericia Furniture bought Erik Jørgensen Møbelfabrik on 1 October, two of Denmark’s most traditional furniture manufacturers became one. The Ox Chair of Hans J.