Raymond Subes (1893–1970) was a French metalsmith.
Education
He studied at the École Boulle and the École des Arts Décoratifs in Paris. He was apprenticed to wrought iron designer Émile Robert.
Biography
From 1916, he worked in Enghien-les-Bains at a small shop run by Emile Robert. In 1919, he started working for Robert’s metal contracting company, Borderel et Robert, at 131 rue Damrémont in Paris. He became head of the design department and the wrought iron workshop.
He worked with several architects and quickly became one of the best metalwork designers and makers. In the 1920s, he worked a lot with wrought iron, making things like the cathedral’s pulpit in Rouen, the grilles of the choir entry at the church of Saint-Germain-des-Pres, and the telescoping lights on the Carousel bridge in Paris.
He also worked with sculptor R. Martin on the monument to General Leclerc at Porte d’Orléans, and with architect Laprade on the tomb of Marshal Lyautey. In the 1930s, he made furniture out of chrome-plated tubular metal for Jacques-Emile Ruhlmann’s nephew and architect Alfred Porteneuve. In 1931, he made a grille for the Permanent Colonial Museum.
He also made a lot of ironwork for the Oceanliners 1931 Atlantique, 1926 Ile-de-France, Pasteur, and 1935 Normandie. He also made ironwork for the Banque de France and National City Bank, both on the avenue des Champs-Elysées, and for the Institut Pasteur, Caisse des Dépots et Consignations, Musée de la France d’Outre.
He mostly used patinated, chromed, or gilded wrought iron, polished steel, bronze, and repoussé copper in his work. He used alabaster, Levantine marble, frosted glass, and embroidered silk shades, which Mme. Luhuché-Meéry made for him in the early 1920s. After World War II, he worked as a metalworker and became the head of Borderel et Robert.
Style
Subes work was more austere than his contemporaries. He used welding but preferred to leave on his metal the impress of the hammer. He was frequently employed to materialize the conceptions of others, but generally, the architects who patronized him did so because they liked his solidity of expression. Subes represented straight lines and geometrical simplicity.
Recognition
In 1919, he had his first show. Together with Ruhlmann, he made a lacquered metal bookcase and console for the “Hotel du collectionneur” at the “Exposition Internationale des Arts Décoratifs et Industriels Modernes” in Paris in 1925. At the 1937 Paris “Exposition Internationale des Arts et Techniques dans la Vie Moderne,” he made the fountains for the Radio pavillion and a Madonna and Child for the Papal pavillion, as well as many screens, consoles, and grilles for other sections. In 1958, he became a member of the Académie des Beaux-Arts.
Sources
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL
Paris, F. (1929). The Rejuvenesence of Wrought iron. The Architectural Forum, 50(2), 241–248.
Art books – Amazon
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French Decor Kindle Edition Books
The French decor is back in style, and it’s the ideal style for your home. This style of décor has something unique about it, and while it can seem to be carefree, it adheres to an ideology that finds beauty in flaws. If you want to emulate the magnificent French countryside style in your home,…
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Werkstätten Hagenauer Austrian metalsmiths
Werkstätten Hagenauer were Vienna-based Austrian metalsmiths. Over its nearly ninety-year history, it was a family business in Vienna that produced fine, handcrafted objects for decoration and use. The workshop closed in 1987, but the company’s retail premises on Vienna’s Opernring, which opened in 1938, is still open today as a museum and shop.Read More →
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Louis Majorelle (1859 – 1926) French Designer and cabinetmaker
Majorelle took over the family cabinetmaking and ceramics business in Nancy in 1879. In the late 1880s, he began designing Modern furniture. Working in the Art Nouveau style, Majorelle was the most dynamic practitioner of the School of Nancy. By mechanising his factory, he produced significant quantities of highly decorated commercial furniture and more elaborate…
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Mauboussin – French Jewellry – Design Profile
Maubossin is a jewellery company in France. The original company was established in 1827 in Paris, on Rue Grenata, where it manufactured jewellery. Starting in 1903, M.B. Noury was the owner and nephew of Georges Maubossin, who had been the director of the company since 1877. Mauboussin succeeded Noury in 1923, changing the firm’s name…
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Odilon Redon’s Classic paintings Capture Logic of Invisible
Odilon Redon, the artist who at the age 73 outsold all but Marcel Duchamp at the 1913 Armory Show of “Modern French Art” in New York City.Read More →
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Hervé Van der Straeten – French Designer revives craftsmanship of the past
The French design world was excited by artists back in the 1930s and 1940s who created modern objects that combinedRead More →
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6 Diverse European Designers from last century
A diverse, eclectic and interesting selection of designers; architects, ceramicists, metal smith, interior designer. For inspiration and information;Read More →
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Lucien Rollin designed bedroom at World Fair NY 1939
Lucien Rollin was a French Designer. He designed a bedroom in the French pavilion at the 1939 New York World’s Fair. He was active in the Salons of the Société des Artistes Décorateurs – 1928-1937.Read More →
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French Street Artist Turns Boring CIty Walls into Hyper-Realistic Scenes
French artist Patrick Commecy is based in Eyzin-Pinet, France, but travels all over the country to paint walls. Using theRead More →