This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.
Bernard Instone’s journey into silversmithing began in the late 19th century. Born in 1891 in Birmingham, England, he was destined to become a luminary in applied arts. His initial training occurred at the Victoria Street School in his hometown. This institution laid the foundation for his future in silversmithing, providing him with the essential skills and knowledge.
Instone’s education and development as a silversmith were greatly influenced by renowned mentors. One of his notable mentors was Emil Lettré, an accomplished silversmith based in Berlin. Under Lettré’s guidance, Instone refined his craftsmanship and acquired a deeper understanding of the artistry behind silversmithing.
The Distinctive Style of Bernard Instone
His innovative use of enamelled silver set Bernard Instone apart from his contemporaries. He blended the traditional techniques of silversmithing with the vibrant possibilities of enamel, creating pieces of jewellery that were not only exquisite but also breathtakingly colourful.
Instone’s enamelled silver pieces were celebrated for their refined elegance and superb craftsmanship. His designs often featured intricate patterns and motifs, showcasing his meticulous attention to detail. Each piece bore the mark of a true artisan, making them not just accessories but works of art in their own right.
Enduring Influence and Legacy – Bernard Instone
Despite Bernard Instone’s passing in 1987, his influence on jewellery design still endures. His legacy inspires current and future artisans, reminding us of the timeless appeal of craftsmanship that marries traditional techniques with individual creativity. Today, collectors and enthusiasts seek out Instone’s creations, recognizing their historical significance and artistic brilliance.
Sources
Birmingham Gold and Silver, 1773-1973: An Exhibition Celebrating the Bicentenary of the Assay Office, 28 July-16 September 1973. (1973). United Kingdom: City Museum and Art Gallery.
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL
Miller, J., Bace, J., Rae, G. (2005). Arts & Crafts. United Kingdom: DK Pub..
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