Hans Gugelot was a key figure in the German postwar reconstruction. He was born in Indonesia, he studied in Zurich at the Federal Technical College. He was a versatile designer whose products and furniture have influenced a generation of designers. He was known for a functional ‘building-block’ approach to design and for avoiding decorative detail, whether in furniture, such as the Ml25 storage unit for Bofinger (1956), or the electrical products he designed for Braun. The Carousel S projector and round slide magazine Gugelot designed for Kodak in 1962 was considered a classic of design.
Hans Gugelot was born in 1920 and died in 1965. From 1940 to 1942, he worked in engineering, and from 1940 to 1946, he worked as an architect in Switzerland. He was closely connected to the radical Hochschule für Gestaltung (HfG) in Ulm, Germany, and the clean, systematic, and useful designs of Braun products in the late 1950s and early 1960s.
In Zurich, he worked in the office of Max Bill, who had graduated from the Bauhaus. In 1954, he followed Bill to the HfG to run the product design program. He believed in the Ulm design theory, which favoured a collaborative, multidisciplinary, and empirical approach to design over the traditional idea of the intuitive, creative individual designer.
Consultant to Braun
Gugelot was asked to work as a consultant for Braun. He and two other Ulm professors, Otl Aicher, and Fritz Eicher, first worked on the design of radios. He also worked with Dieter Rams of Braun on the sleek design of the SK4 radiogram cabinet in 1956. In the years that followed, he worked with Gerd Alfred Müller on a number of other products, such as the Sixtant razor (1962). He also helped his students work on real-world projects, such as making models for the Hamburg UBahn subway system (1959–1962). His other clients included Bofinger, for whom he made the modular M125 office system in 1957, and Kodak, for which he made the Carousel slide projector (1962).
Dormer, P. (1991). The Illustrated Dictionary of Twentieth Century Designers.
Woodham, J. M. (2006). A dictionary of modern design. Oxford University Press.
Read about Swiss Designers
You may also be interested in
The way Dieter Rams tell it good design boils down to something as simple durability. Okay, not durability alone. A Well-designed piece is so self-explanatory that figuring out how to use it as simple as looking at it. And a design develops from the inside out because it involves not only aesthetics but also function.
Carl J.Jucker (1902 – 1997) was a metal worker from Switzerland. He studied at the Kunstgewerbeschule, Zürich, from 1918-1922. He studied under Muche between 1922 and 1923. He studied at Bauhaus with Christian Dell, Paul Klee and László Moholy-Nagy.