Feiz’s work has received numerous awards and has been featured in exhibitions and publications worldwide. The overriding inspirations for Feiz’s work can be summed up by: Clarity, concept and context. Feiz has developed several project in collaboration with Artifort, including the Extens, Bras and Beso chair family.
Artifort used freelance designers, including Kho Liang Le and Pierre Paulin. It produced chairs, settees, and tables. It first used plastics in Paulin’s 1965 Chair 582 in tensioned rubber and latex foam and his 1965-66 Armchair 303 in polyester fibreglass. It produced Paulin’s 1953 Chair 157 in polyester, ABS, and elastomers and 1967 F577 chair.
Bloemenwerf, Henry Van de Velde’s property outside Brussels, is the inspiration for this chair. Van de Velde planned and built the house and the interior—from the furniture to the wallpaper—resulting in a holistic design that exemplified the concept of a Gesamtkunstwerk “total work of art”.
Before 1900, Imans was active in a mannequin factory in Paris. By the 1920s, his establishment was located at 10 rue de Crussol. He became known for his faultlessly finished imitation human skin in wax; in 1922, he developed ‘carnesine’ or ‘carnisine’ to simulate skin; developed a secret formula that was mainly plaster with gelatin; subsequently, produced models in various synthetic materials and wood mounted in-store vitrines worldwide. He produced figures in the images of well-known actresses and politicians.