The Legacy of Schellens & Marto: Pioneers in Dutch Fabric Manufacturing

This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

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Schellens factory on the Vestdijk
Schellens factory on the Vestdijk

Schellens & Marto, a name synonymous with innovation and craftsmanship in the textile industry, carved a niche for itself in the heart of Eindhoven, Netherlands. From its inception in 1887 until its closure in 1981, this Dutch fabric manufacturer has been a testament to the enduring legacy of fabric design and production, blending traditional techniques with modern innovations.

The Dawn of Innovation

Schellens & Marto began its journey with a focus on producing mock velvet, a technique brought to the Netherlands by Huguenot refugees. Starting with just two mechanical test looms that still required partial hand production up to 1930, the company showcased a blend of craftsmanship and innovation from the very beginning.

Sikko van der Woude, a forgotten textile artist.
Sikko van der Woude, a forgotten textile artist.Designed for Schellens & Marto

Transition to Modernity

By the 1930s, Schellens & Marto had embraced technological advancements, moving from rod looms to double-weave looms. This significant shift enabled the production of two fabrics simultaneously, marking a new era in fabric manufacturing. The introduction of jacquard looms further revolutionized their production, allowing intricate patterns to be woven directly into the fabric, adding depth and richness to their textiles.

Collaboration and Creativity

The firm was not just a manufacturing powerhouse but also a hub of creativity and collaboration. It engaged with renowned designers like Chris Lebeau, Christian de Moor, C.A. Lion Cachet, and C. van der Sluys, whose contributions brought artistic excellence to their fabrics. These collaborations resulted in exclusive designs for prestigious projects, including ocean liner interiors and the Dutch pavilion at the 1937 Paris Exposition.

Legacy and Impact

Schellens & Marto’s fabrics found their place not only in the luxurious settings of royal palaces and international expositions but also in the everyday, being the preferred choice for bus and railway companies, as well as furniture manufacturers. Their commitment to quality and design excellence left an indelible mark on the decorative and applied arts.

Preserving Heritage

The legacy of Schellens & Marto continues to inspire designers and historians alike. Their contributions to the textile industry are remembered and celebrated, serving as a bridge between the past and future of fabric design.

Conclusion

Schellens & Marto’s journey through the evolution of fabric manufacturing highlights the importance of innovation, collaboration, and artistic expression in the decorative arts. As we look back on their contributions, we are reminded of the transformative power of design in shaping our visual and tactile world.

Sources

Amsterdam School Platform. (n.d.). Twists and turns. Amsterdam School Platform.

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing. https://amzn.to/3ElmSlL

Järvenpää, E., & Boot, C. (2017). Ornamental patterns: Tissue weaves from the Amsterdam School. Tilburg.

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