Power of asymmetry
Asymmetry can help give some life and power to a typographic arrangement.
The designer has used the idea of a long piece of tape or receipt. The typography is contrasted against large and small to make it stand out.
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The American Institute of Graphic Arts (AIGA) is a professional design organisation. Members practice all forms of communication design, including graphic design, typography, interaction design, user experience, branding and identity. The objective of the organisation is to be the standard bearer of professional ethics and practice in the design profession. T
The London Underground Map – Design Icon
The London Underground is the world’s oldest subway, most people know it colloquially as the Tube. An engineering marvel and just as almost as famous is the map. The Tube map is instantly recognisable all over the world. It is a simple and elegant diagram of the 400-kilometre subway network. It is considered by many as one of the great images of the 20th century.
Marcello Minale (1938 – 2000) Italian designer
He worked as a designer at the Finnish advertising agency Taucker and as an art director at Mackkinointi Uiherjuuri. He was the design director at the Young and Rubicam advertising agency in London until 1964. He founded a design firm with Brian Tattersfield in 1964.
Haunch of Venison Poster – Power of Asymmetry
Asymmetry can help give some life and power to a typographic arrangement. The designer has used the idea of a long piece of tape or receipt. The typography is contrasted against large and small to make it stand out.
The international Cyprus Poster Triennial
promote and disseminate knowledge and creativity in the field of graphic design by focusing on the poster as a major medium of visual communication. Posters have been influential not only as vehicles for providing information but also as tools for social change, developing awareness on critical issues, dissemination of revolutionary or political ideas, and propaganda since the early printing of broadsides in the early nineteenth century until the present day of the digital era.
Halfomania: Futuristic Sans Serif Typeface
A futuristic sans-serif font , perfect for use in headlines, branding visual identity, poster, logo, magazines, and any display media. The font can be found in TTF and OTF file formats and contain uppercase, lowercase, numbers, and some special characters.
Aleksandr Rodchenko (1891 – 1956) Russian Painter and Designer
He was a proponent of the Russian constructivist art movement. The term ” constructivism” came about because the artists claimed they riveted the images together as engineers, not artists. In the early years of the Russian
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Alphonse Mucha (1860 – 1939) – Moravian decorator and painter
Alphonse Mucha (1860 – 1939) was a Moravian decorator, painter, and graphic artist. In the 1890s and early 1900s, Mucha is well known for his Art Nouveau posters, particularly those of Sarah Bernhardt. Mucha first designed stage sets in Vienna; moved to Munich, in 1885 and Paris in 1887.
Pelikan Poster by Herbert Leupin
The poster has established itself as an integral part of modern marketing and has acquired the status of a typical Swiss quality product just like the one it was intended to sell. A good example is the poster designed in 1952 by Herbert Leupin (1916–1999) for the Pelikan fountain pen company. Showing an eponymous bird with a pen in its beak and a wing ink, it’s done with very little text. The message is simple: the bird is a brand name. Anyone looking to buy a fountain pen.
Audrey Hepburn Bubble Fashion Poster
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Jules Cheret (1836 – 1932) – The Father of Modern Poster Art
Jules Cheret was a French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster.
Jan Tschichold (1902 – 1974) – Swiss Typographer and Graphic Designer
German-born, Tschichold is one of the most outstanding and influential typographers of the 20th century, He cleared away the old typography of pre-1925 and made room for a modern, structured and regulated new typography. His work is characterised by rigorous structure, asymmetrical placement of contrasting elements, and layouts based on horizontal and vertical underlying grids.
The best of the typographic posters by Robin Weissenborn
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