Founded when the industrial design profession was becoming firmly established in the American manufacturing industry, Industrial Design has long been established as America’s leading magazine for industrial designers. Renamed ID Magazine of Industrial Design in 1980, since its establishment, it has carried a wide range of critical material related to design practise, culture and business. It was published eight times a year, including the prestigious Annual Design Review that includes projects for consumers, furniture, equipment, environments, packaging, graphics, and students.
After 55 years in publication it folded in 2009
Sources
Woodham, J. M. (2006). A dictionary of modern design. Oxford University Press.
More Design History
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Cassone – the marriage chest
A cassone is a big decorated chest that was made in Italy between the 14th and 16th centuries. In 1472, a Florentine merchant married a young noblewoman named Vaggia Nerli. Cassoni were put on display in the most important and well-furnished room in the palace.Read More →
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Dada Art Movement – Making Mischief
As a designer, I am passionate about the history of art and their influence on ‘visual design.’ In art history, Dada is the artistic movement that preceded Surrealism, it began in Zurich, Switzerland, in 1916 by a group of mostly painters and painters. Dada artworks challenged the preconceived notions of what art meant. Many Dadaists felt that the way to salvation was through political anarchy, the natural emotions, the intuitive and the irrational.Read More →
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Anchor Blocks – 19th Century construction toy
Anchor Blocks were a German system of building blocks that were popular as a children’s construction toy in the late nineteenth and early twentieth centuries, notably in Europe. Dr F. Ad. Richter in Rudolstadt, Germany, began developing and manufacturing the system in 1879. The concept was based on the FROEBEL block system, which significantly impacted Frank Lloyd WRIGHT’s design philosophy.Read More →
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Design in Scandinavia travelling exhibition, 1954 – 1957
Brilliant examples of contemporary home furnishings were shown from Denmark, Finland, Norway, and Sweden and exposed Americans to Scandinavian design, inspiring a shift towards mid-century design.Read More →
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Jaeger 🏴 clothes are not just fashion but function & lifestyle
During the twentieth century, a movement arose that advocated for clothing to be worn as part of a sensible, healthy lifestyle rather than only for fashion. These concepts sprang from the work of nineteenth-century fashion reformers, in the same way, that English writer Edward Carpenter popularised the open-toed leather sandal for men. Read More →
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Post-Impressionism – a concise guide
Post-Impressionism (sometimes called Postimpressionism) was a significant French art trend that evolved between 1886 and 1905. Paul Cézanne, Paul Gauguin, Vincent van Gogh, and Georges Seurat led the movement. Post-Impressionism was a reaction to Impressionism’s naturalistic light and colour. Post-Impressionism covers the work of Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism.Read More →
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Amen Glasses – what are they?
‘Amen’ glasses gained their name from the Jacobite verses engraved on them, which invariably end with the word Amen.Read More →
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Design History – 40s & 50s the age of the Graphic Designer
The 1940s and 1950s the age of the Graphic Designer. Designers, illustrators, and artists used their talents to disseminate information.Read More →
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Hermann Gretsch (1895 – 1950) designer for Arzberg
Hermann Gretsch was a German architect, engineer and product designer. In the 1930s, Gretsch worked for the Porzellanfabrik Arzberg.Read More →
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Design History – 40s & 50s the age of the Graphic Designer
The 1940s and 1950s the age of the Graphic Designer. Designers, illustrators, and artists used their talents to disseminate information.Read More →
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Fashion Design from 1900 to 1920 – Focus on Freedom
Fashion Design from 1900 to 1920 – Focus on Freedom. Newfound political independence came newfound fashion freedom. READ MORERead More →
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Mission Furniture – Design Dictionary Term
Mission Furniture – Design Dictionary Term. The early twentieth-century American furniture design style. American Arts and CraftsRead More →
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Formes Utiles – French Organisation and Exhibitions
In 1949, Formes Utiles became an independent association of UAM (Union des Artistes Modernes) through the influence of René Herbst and Charlotte Perriand and its first exhibition held at Musée des Arts Décoratifs, Paris. Its theoretician was architect André Hermant.Read More →
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Silver and twentieth-century design
The impact of silver metal technology has driven the development of modern furnishings throughout the 20th century. The transformation of a chair into a sculptural statement, for example. Interior metal objects have not always been at the forefront of modern design within a multi-function. With the emphasis on warmth and comfort in the home, the scope for a wide range of metal products for this domain is not there.Read More →
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William Caxton (1422 – 1491) Father of English Printing
William Caxton learned about the mystery of printing in the Low Countries, and it was in Bruges that he translated a French work, ” The Tales of Troy, ” through his printing press.Read More →
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Worshipful Company of Goldsmiths
The Worshipful Company of Goldsmiths, also known as the Goldsmiths’ Company, is one of London’s Great Twelve Livery Companies. It is correctly known as The Wardens and Commonalty of the Mystery of Goldsmiths of the City of London. The Company’s headquarters are located in the City of London’s Goldsmiths’ Hall. Read More →
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Aldus Manuitius (1449 – 1515) – pioneer of printing
The type in which this sentence is written is called “italic”. Aldus Manutius the man who invented it died almost 500 years ago and his type is still in use. Today publishing a manuscript is almost instantaneous, a new best seller can be placed on Amazon and I can buy a copy minutes later. To look at the books which came off the Venitian presses of Aldus Manutius is a strange experience.Read More →
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The 40s and 50s – On the Road with Design
The exaggerated style was an essential look. The gleaming chrome fins conveyed speed. A car that was higher in the front than the back did the same. The quality of the car’s face — two headlamps for the eyes, a grill for the nose, and a fender for the mouth – was frequently highlighted. This gave the vehicle the appearance of a devoted companion with a distinct personality.Read More →
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Paris and Art in 1950s – influence on design
Paris, newly liberated from the German occupation, sprung to life during the 1950s as a centre for all modes of artistic endeavour, most notably in fine art, literature, and music. Its association with romantic literary figures such as Jean-Paul Sartre, Simone de Beauvoir, and Roland Barthes made the city incredibly appealing to every serious-minded man or woman. Read More →
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The Schloss Blühnbach castle in Austria
Schloss Blühnbach is a hunting castle in the Austrian Alps dated from the 17th century. It was extended in 1911 by Archduke Francis Ferdinand; it also includes his art and antiques.Read More →
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Taylorism was a search for industrial efficiency
His 1911 book Principles of Scientific Management outlined these concepts, and they have influenced various aspects of design, including labour-saving kitchens and more ergonomic household equipment. These included the writings of fellow American Christine Frederick, who published Scientific Management in the Home in 1915, and Lillian Gilbreth’s assessments of domestic efficiency for the Brooklyn Gas Company in 1930, which looked at the kitchen as a location of industrial production. Read More →
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A Century of Progress International Exposition – Chicago 1933 – 1934
An exhibition summary noted that the nation, “then still mired in the malaise of the Great Depression, could glimpse a happier not-too-distant future, all driven by innovation in science and technology.” Fair visitors saw the new wonders in rail travel, cars, architecture, and robots that smoke cigarettes. The Fair “emphasised technology and progress, a utopia, or perfect world, founded on democracy and manufacturing.”Read More →
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Vorticism British Art Movement – 1914 – 1918
Vorticist painting merged cubist reality fragmentation with hard-edged imagery taken from machines and urban environments. It was essentially a British version of futurism, albeit with ideological distinctions. Lewis was a staunch opponent of the futurists. Lawrence Atkinson, Jessica Dismorr, Cuthbert Hamilton, William Roberts, Helen Saunders, Edward Wadsworth, and the sculptors’ Sir Jacob Epstein and Henri Gaudier-Brzeska were among the group’s other members. Read More →
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Pre-Raphaelites Brotherhood – British Artists Group
The Pre-Raphaelites were a group of British artists. Dante Gabriel Rossetti and Edward Burne-Jones led the Pre-Raphaelite brotherhood from 1848. Read More →
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The Wit and Humour of the Gibigiana Table Lamp
Castiglioni’s approach to design is characterised by wit and humour, which is portrayed here by a shape that resembles an animal or bird. The Gibigiana is a table light that may be adjusted. It includes a dimmer and produces reflected light. Read More →
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“Just in time” design concept
Just in time” design concept, this practice became an increasingly important aspect of economic manufacturing and distribution. The ability to link sales data from retail outlets and checkout terminals with centralised corporate manufacturing and distribution systems ‘just in time’ eliminated the need for manufacturer-retailers like Benetton, an Italian clothing company, to keep large amounts of stock on hand (thus wasting valuable space).Read More →
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Japan Advertising Artists Club (JAAC) pioneer of Japanese Graphic Design
In the 1960s, the JAAC’s philosophy came under fire for being overly reliant on exhibitions as a platform for innovative ideas. Furthermore, during the turbulent 1960s, a perceived emphasis on aesthetics at the expense of social significance, combined with allegations of elitism, led to the organisation’s disbandment in 1970.Read More →
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Linoleum created as an inexpensive floor covering
Frederick Walton invented linoleum in Britain in 1860. Walton coated flax cloth with a combination of gum, cork dust, resin and linseed oil in search of a cheap floor covering. An amalgamation of the Latin Linum (‘flax’) and oleum (‘oil’) formed the word linoleum.Read More →
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Surrealism – Art & Design Term
Surrealism was one of the most influential and disruptive trends of the twentieth century, flourishing especially in the 1920s and 1930s and offering a radical contrast to Cubism’s rational and formal features. It emphasised the positive rather than the nihilistic, unlike Dada, from which it derived in many aspects. Surrealism aimed to gain access to the subconscious mind and convert this stream of thought into art.Read More →
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ISOTYPE – International System of Typographic Picture Education
ISOTYPE was created as a mechanism of communicating statistics using graphic symbols. It was an essential part of Otto Neurath’s (1882–1945) worldwide graphic language, which he created in Vienna following World War I. Originally known as the Vienna Method of Pictorial Statistics, ISOTYPE was created to make complex statistical information about housing, health, education, and other vital priorities more understandable to the general public in the difficult economic and political circumstances of 1920s Vienna by presenting the data in a visually appealing format. Read More →
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Baroque – Art Term
The Catholic Counter-Reformation is closely related with Baroque, which peaked in Rome around 1630–1680. Despite its origins in Rome, the Baroque style influenced people all around Europe. Its rapid pace, striking realism (giving spectators the feeling that they were watching an actual event), and direct emotional appeal were perfectly suited to announcing the Catholic Church’s renewed vitality. Read More →
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Ideal Home Exhibition (est. 1908) Aspirational British Design
The Daily Mail newspaper sponsored the Ideal Home Exhibition (from 1908). These shows provide an insight into popular taste and aspiration across all facets of domestic design and organisation in Britain.Read More →
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The Exposition Internationale des Arts et Techniques dans la Vie Moderne 1937
From 25 May to 25 November 1937, the Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Art and Technology Exhibition in Modern Life) was held in Paris, France. Both the Palais de Chaillot, which houses the Musée de l’Homme and the Palais de Tokyo, which houses the Musée d’Art Moderne de la Ville de Paris, were built for this exhibition, which was officially approved by the Bureau International des Expositions.Read More →
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“International Style” Architecture of the Modern Movement
Alfred H. Barr Jr. coined the term in 1931 in conjunction with Philip Johnson and Henry-Russell Hitchcock’s 1932 “Modern Architecture: International Exhibition” (along with the accompanying book International Style: Architecture Since 1922) at the New York Museum of Modern Art, where Barr was director.Read More →
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What was the Society of Industrial Artists in Britain?
The origins of the CSD lay in the creation in 1930 of the Society of Industrial Artists (SIA) in Britain, when the public debate was concerned with the nature and definition of both the designer and the design profession. Read More →