This article forms part of the Decorative and Applied Arts Encyclopedia, a master reference hub providing a structured overview of design history, materials, movements, and practitioners.

The Fusion of Architecture and Design
Edward Barber and Jay Osgerby, graduates of The Royal College of Art in London, have transcended the boundaries of design disciplines to create work as versatile as it is impactful. Armed with Master’s degrees in Architecture, they didn’t limit themselves to designing buildings; they immersed themselves in furniture, industrial objects, and even Olympic Torches.
Crafting Materiality: The Early Years
One of the defining aspects of Barber and Osgerby’s early work was their experimentation with sheet material. They excelled in folding and shaping these materials, a methodological approach that likely derives from their architectural background. It’s intriguing to note that model-making remains central to their practice. This meticulous attention to form and function guides them in creating everything from architecture to furniture and objects. The Umbrella Stand for Magis is a testament to their utilitarian design sensibility, whereas the London 2012 Olympic Torch represents aesthetic functionality.

Collections and Recognition: A Testament to Versatility
It is no small feat to be featured in collections from renowned companies like Vitra, B&B Italia, and Magis. What sets Barber and Osgerby apart is their broad appeal. Their designs can be found in major museums such as the V&A Museum in London and the Metropolitan Museum of Art in New York. This global appreciation signifies the timeless and universal nature of their designs. Moreover, they have expanded their creative vision beyond objects into the realms of interiors and exhibitions through the founding of Universal Design Studio.
Universal Design Studio: The Next Phase
In 2001, the duo delved into another facet of design with the Universal Design Studio. Recognized as one of the world’s leading creative design consultancies, this venture allows them to fully express their architectural insights in a new context, applying them to interiors and exhibitions. They bring the same foundational principles of intuitive design and creative direction to this platform, making it a powerhouse of modern architectural and interior creativity.
MAP: Strategy Meets Design
With the launch of MAP in 2012, Barber and Osgerby once again demonstrated their ability to evolve and adapt. MAP is a strategy-based industrial design studio that utilizes the design intuition and research capabilities honed over the years at BarberOsgerby. Here, the pair work on providing design solutions that are both creatively inspiring and commercially viable, showcasing the seamless merger of form and function that is the hallmark of their design ethos.
A Unique Interface: Where Design Disciplines Converge
Their journey from students studying architecture at the Royal College of Art to becoming household names in the design industry is a testament to their multidisciplinary approach. Edward Barber and Jay Osgerby’s work probes the complex interface between industrial design, furniture design, and architecture, offering a rich experience few designers can boast.

In Their Own Words
The ethos of Barber and Osgerby is best captured in their own words: “Every time we start a project, we approach it like it’s the first thing we’ve ever done.” This statement encapsulates the constant innovation and insatiable curiosity that define their body of work.
Concluding Thoughts
From their London-based studio, Edward Barber and Jay Osgerby continue to contribute to a design language that is simultaneously universal and intimately specific. Considering their diverse portfolio and the multiple design studios they’ve founded, one thing becomes evident: their work teaches how a rigorous architectural education can inform and enrich a multi-disciplinary design practice. Their trajectory illustrates the infinite possibilities when talent, education, and passion converge.
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