Gustave-Louis Jaulmes: Swiss Architect and Designer

A Swiss architect and designer, Gustave-Louis Jaulmes (1873 – 1959) significantly influenced decorative arts in the early 20th century. Born in Lausanne and professionally active in Paris, Jaulmes transitioned from architecture to decorative painting, furniture, and tapestry design, leaving a lasting legacy in each field.

Early Life and Career

Jaulmes began his architectural career but shifted to decorative painting in 1901, marking the start of a diverse and influential career. By 1910, he had ventured into furniture design and, five years later, expanded his repertoire to include tapestry design. This evolution showcases his versatile talent and ability to adapt to different art mediums.

Notable Commissions and Collaborations

Several prestigious commissions marked Jaulmes’ career. He worked for the Musée Rodin in Paris and designed tapestries and upholstery fabrics for the Compagnie des Arts Français (CAF). His association with the CAF, alongside prominent figures like Louis Süe and André Mare, resulted in exquisite tapestries such as Le Départ des troupes américaines de Philadelphie pour la France and murals inspired by Berain and Du Cerceau. These works are celebrated for their intricate depictions of garlands, gathered fabric, and draperies, reflecting the opulent style of the 18th century.

One of his notable projects included decorating the Avenue des Champs-Élysées and designing the cenotaph commemorating World War I. His wife often weaved his upholstery fabrics, demonstrating a personal collaboration that enriched his designs. Jaulmes also designed furniture for the renowned decorating firm Damon.

Major Works and Achievements

Among his significant works, Jaulmes decorated the Salle des Fêtes in the Grand Palais, with Louis Süe as the architect. He painted murals for the Théâtre de Chaillot and the Paris Musée des Arts Décoratifs, including the curtain for the Grand-Théâtre in Lyons. His contributions extended to other theatres, monuments, casinos, and hotels. In 1944, he was honoured with a membership in the Académie des Beaux-Arts, cementing his status as a decorative arts leader.

Exhibitions and Legacy

Jaulmes’ works were showcased at various prestigious exhibitions. He participated in the Salons of the Société Nationale des Beaux-Arts from 1902, the Salon d’Automne from 1908, and the Salon des Artistes Indépendants from 1909. In 1910, he began exhibiting his furniture designs, gaining further acclaim. His paintings adorned the Hôtel du Collectionneur and ‘Une Ambassade française’ at the 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes.

Conclusion

Gustave-Louis Jaulmes’ contributions to architecture and design were profound and far-reaching. His ability to seamlessly transition between different art forms and his collaborations with other notable designers of his time highlight his versatility and innovation. Jaulmes’ legacy continues to inspire and influence the fields of decorative painting, furniture design, and tapestry.

Sources

Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.

Etlin, R. A. (1991). Nationalism in the visual arts. National Gallery of Art.

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