Pucci de Rossi was an Italian designer born in Verona and trained with American sculptor H.B. Walker. Pucci de Rossi (1947-2013) is an unusual designer and artist. Jewellery, furniture, sculpture, painting: his works, visually striking and functional, refer to Arte Povera and the neo-baroque work of the Memphis studio.
This unique sofa mixes the familiar with the historical. Taking on a distinctly asymmetrical style, the look of this piece defies definition. Featuring luscious velvet upholstery and painted wood taking on the appearance of gilding, this settee would be easily imagined in a courtly setting of the East.
A pupil of the American sculptor HB Walker, Pucci De Rossi began his artistic activity in 1971. Sculptor of ideas, shapes and materials that he strived to transform into everyday objects, with imagination and humour.
Pucci de Rossi embodies the “sculpture furniture” trend that developed in the early 1980s. Purely formal in appearance, steeped in irony, playing with diversion and irony, his creations are perfectly functional and useful objects. De Rossi liked to juxtapose material which evokes contrary feelings: for example, wood and steel.
View Colonne surélevée d’un trophée By Pucci deRossi; cast aluminium sculpture, wooden base; H 200 x L 58 x P 35 CM; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.
The work of De Rossi became increasingly surreal, sometimes brutal, sometimes a deliberate neo-baroque semi pastiche. Not only did he avoid classification, but he deftly avoided the growing debate as to whether his design could be art. Calling himself a “fake designer,” he continued to produce aesthetically groundbreaking work at the end of the day.
In 1982, he executed works in, metal in New York.
- Galerie Neotu produced his 1982 Tristan Table and 1985 Bear Rug.
- 1991 Lido cocktail side table
- Vizir console,
- Lancelot candelabra
- Diavola chair, Stephanie mirror
- Parsifal coffee table
- Battista table
- Trident table
- Maya étagère.
His one-person exhibitions included;
- Galerie Art 3 in Paris in 1973,
- Galerie Le Metier d’Art in Milan in 1973,
- Agora Gallery in Maastricht in 1974,
- Galerie Caroline Corre in Paris in 1980,
- Gallery of Functional Art in Los Angeles in 1986,
- Galerie Neotu in Paris in 1987 and 1989,
- Galerie Lechanjour in Nice in 1988,
- Institut francais de Cologne in 1990.
His work was included in the;
- 1973 ‘Nuovo materiali del fantastico’ in Piombino
- 1974 ‘AZ’ at the Loggione La Scacchiera in Padua
- 1977 exhibition at the Studio Alchimia in Milan
- 1978 ‘Fil de Fer, Fer Blanc’ at Centre Georges Pompidou, Paris
- 1980 ‘4+4’ exhibition at the Centre Culturel italien in Paris
- 1980 ‘Le Metier d ‘Art’ at the Paris Musee des Arts Decoratifs
- 1982 ‘L’Art vivant’ in Paris
- 1984 (II) Biennale de Metier d’Art in Villeneuve-les-Avignon;
- 1985 ‘Onze Lampes’ at Galerie Neotu,
- 1986 ‘Design Beyond Senses’ at the Kunstmuseum in Düsseldorf.
- His Divola chair was introduced at the 1991 (III) ‘International Contemporary Furniture Fair,’ New York.
The glass topped coffee table comprising two pieces of interlocking bronze forming a three-dimensional sculptural base by Italian designer Pucci De Rossi (1947-2013)
Jumbo cabinet was made in wood and and embossed with lead. It measures H 234 cm x L 101 cm x P 55.5 cm
Byars, M., & Riley, T. (2004). The design encyclopedia. Laurence King Publishing.
Massimo Vignelli was an Italian graphic, industrial, interior, and furniture designer. He was born in Milan. He was professionally active in Milan, New York, and Chicago. Vignelli was an acclaimed graphic designer who created a modernist vision with book covers, furniture, corporate logos and even the New York City subway map.
Pier Luigi Nervi (1891 – 1979) was an Italian architect born in Sondrio, Lombardy. He studied engineering at the University of Bologna, to 1913. After experience with a concrete contractor, he set up his firm in Bologna in 1923.